๐ฑ๐ฟ๐๐๐๐๐, ๐๐๐๐๐๐๐๐: ๐๐๐๐๐๐ก๐รณ๐ ๐๐ ๐ผ๐๐๐๐๐๐ฃ๐๐ [๐ด๐๐ฟ/๐ด๐ฝ๐ถ]
[Pero prefiero llamarlo sensibilidad. Hay quienes se comunican con el mรกs allรก a travรฉs de rituales, de mรฉdiums, de sueรฑos. Yo lo hago con palabras]
Source: PIXABAY
No son fantasmas que arrastran cadenas ni espectros. Hablo de presencias que se manifiestan en la palabra, en la cadencia de una frase que no parece mรญa, en el ritmo de un poema. A veces, mientras escribo, siento que no estoy solo. Que alguien โo algoโ me acompaรฑa. Que hay una mano que guรญa la mรญa, una voz que susurra desde otro tiempo.
I've always known that there are two planes: the physical, which shapes reality, and another plane, where the voices we don't see but feel dwell. This plane isn't in books or on maps, but it appears when I write. It's there, between silence and verse, where I encounter beings from beyond.
They aren't ghosts dragging chains or specters. I'm talking about presences that manifest themselves in words, in the cadence of a sentence that doesn't seem mine, in the rhythm of a poem. Sometimes, while I write, I feel I'm not alone. That someoneโor somethingโis with me. That there's a hand guiding mine, a voice whispering from another time.
Source: PIXABAY
Henry Miller, Alejandra Pizarnik, Cรฉsar Vallejo, Clarice Lispectorโฆ no los invoco, pero vienen. No los llamo, pero se presentan. A veces, en medio de un verso, siento el temblor de sus voces. Es comuniรณn. Es diรกlogo. Es una forma de estar juntos mรกs allรก del tiempo.
ยฟEs locura? Tal vez. Pero prefiero llamarlo sensibilidad. Hay quienes se comunican con el mรกs allรก a travรฉs de rituales, de mรฉdiums, de sueรฑos. Yo lo hago con palabras. Con el acto de escribir. Cada texto que nace de esa conexiรณn lleva algo de mรญ y algo de ellos. Es una mezcla de memorias e intuiciones que no sรฉ explicar.
I've learned to recognize those moments. They're not frequent, but when they come, I know it. The air changes. Language becomes more precise. It's as if the writers I admireโthose who are no longer with usโapproached my table, sat next to me, and said, "Write this. Like this. Not any other way."
Henry Miller, Alejandra Pizarnik, Cรฉsar Vallejo, Clarice Lispectorโฆ I don't invoke them, but they come. I don't call them, but they present themselves. Sometimes, in the middle of a verse, I feel the trembling of their voices. It's communion. It's dialogue. It's a way of being together beyond time.
Is it madness? Maybe. But I prefer to call it sensitivity. There are those who communicate with the beyond through rituals, mediums, dreams. I do it with words. With the act of writing. Every text that is born from that connection carries something of me and something of them. It's a mixture of memories and intuitions that I can't explain.
Source: PIXABAY
No siempre es asรญ. Hay dรญas en que el mรกs allรก guarda silencio. En que las voces no vienen. En que escribo solo, desde mi carne y mi memoria. Pero incluso en esos momentos, sรฉ que estรกn ahรญ. Esperando. Observando. Tal vez probรกndome. Tal vez dejรกndome espacio.
Esta forma de comunicaciรณn no se enseรฑa ni se aprende en talleres literarios. Es una experiencia que se cultiva con paciencia y respeto. Hay que estar dispuesto a ceder el control, a dejar que el texto tome su rumbo, y aceptar que no todo lo que escribimos nos pertenece. Que hay fragmentos que vienen de otro lugar.
Y ese lugar, para mรญ, es el mรกs allรก, una dimensiรณn donde habitan las voces que nos preceden. Donde el lenguaje se purifica y donde la escritura se convierte en acto de fe.
There are days when the beyond manifests itself powerfully. I write without knowing where the ideas come from. The sentences flow as if they were already written on another plane and I were merely transcribing them. I am a bridge. And when I finish, I read what I've written and I am surprised. Where did this come from? Who dictated it?
It's not always like this. There are days when the beyond is silent. When the voices don't come. When I write alone, from my flesh and my memory. But even in those moments, I know they are there. Waiting. Watching. Perhaps testing me. Perhaps giving me space.
This form of communication is not taught or learned in literary workshops. It is an experience cultivated with patience and respect. You have to be willing to relinquish control, to let the text take its course, and accept that not everything we write belongs to us. That there are fragments that come from somewhere else.
And that place, for me, is the beyond, a dimension where the voices that precede us dwell. Where language is purified and where writing becomes an act of faith.
Source: PIXABAY
Lo dicho, como escritor, soy apenas un eslabรณn. Uno que escucha y que traduce, que, en medio de la noche, se sienta frente a la pรกgina y espera. Porque sรฉ que, en algรบn momento, el mรกs allรก hablarรก. Y yo estarรฉ listo para escribir. Ojalรก que sรญ.
To write is to receive. It's to open oneself to what is unseen, to what is felt in one's chest and in one's fingertips. It's to accept that we are part of a chain of voices that intertwine and respond to each other.
As I said, as a writer, I am merely a link. One who listens and translates, who, in the middle of the night, sits in front of the page and waits. Because I know that, at some point, the beyond will speak. And I will be ready to write. I hope so.
๐ฑ ยฉ Copyright 2025 Argenis Osorio. Todos los derechos reservados/ยฉ Copyright 2025 Argenis Osorio. All rights reserved
๐ฑ Para el diseรฑo visual del post he utilizado imรกgenes libres de Pixabay, asรญ como las herramientas: cรกmara de mi telรฉfono Samsung, versiones libres de Canvas, Google Gemini y Banner Maker/For the visual design of the post I have used free images from Pixabay, as well as the tools: my Samsung phone's camera, free versions of Canvas, Google Gemini and Banner Maker
๐ฑ Mi idioma nativo es el espaรฑol, traduzco al inglรฉs con Google Translation /My native language is Spanish, I translate to English with Google Translation
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