#montgomery

Today I wandered out by the lake with nothing planned. I sat, thumbed through my notes a bit, and pretty quickly decided to rough this one out. ▶️ 3Speak

Ampel Koalition plant Impfzwang für alle!

Por @latino.romano   La estación de policía era un hervidero de oficiales que entraban y salían. Nunca fue una estación calmada a decir verdad, pero en esta ocasión parecía que todos estaban siendo

Por @latino.romano   El fotógrafo forense tomaba las últimas imágenes de la escena del crimen. Recuerdo que me llamó la atención el fuerte cerco de seguridad que se había puesto en la calle. Era evidente

Por @latino.romano  Llegamos al lugar indicado para la reunión. Tuvimos mucho cuidado de no ser vistos, pues nuestro arribo ocurrió al menos una hora antes de lo acordado. —Explícame en qué consiste

Last month was the first time, in what seemed like forever, for me to learn a cover song. It was a lot of fun trying to make it, somewhat, my own. Thought to do the same thing this month, so during my

Wes Montgomery (electric guitar), Jimmy Smith (Hammond B-3 organ), Grady Tate (drums) and Ray Barretto (conga). From the album Jimmy & Wes: The Dynamic Duo (1966). Creed Taylor is an American record

Wes Montgomery (electric guitar), Jimmy Smith (Hammond B-3 organ), Grady Tate (drums) and Ray Barretto (conga). From the album Jimmy & Wes: The Dynamic Duo (1966). This album came out of the idea of

Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Smokin’ at the Half Note (1965). This theme was composed by Erroll Garner and

Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Smokin’ at the Half Note (1965). The jazz guitar appeared as a result of the use

Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Smokin’ at the Half Note (1965). The guitar is a stringed musical instrument composed

Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Smokin’ at the Half Note (1965). When Wynton Kelly left Miles Davis’s group in

Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Smokin’ at the Half Note (1965). In this album Wes Montgomery is accompanied by

Johnny Griffin (tenor sax), Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Full House (1962). Although it’s usually believed

Johnny Griffin (tenor sax), Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Full House (1962). Jimmy Cobb is an excellent American

Johnny Griffin (tenor sax), Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Full House (1962). In 1958 Jonny Griffin formed a

Johnny Griffin (tenor sax), Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (doble bass) and Jimmy Cobb (drums). From the album Full House (1962). Johnny Griffin was an American tenor

Johnny Griffin (tenor sax), Wes Montgomery (electric guitar), Wynton Kelly (piano), Paul Chambers (double bass) and Jimmy Cobb (drums). From the album Full House (1962). Wes Montgomery recorded this album

Wes Montgomery (electric guitar), Tommy Flanagan (piano), Percy Heath (bass) and Albert Heath (drums). From the album The Incredible Jazz Guitar of Wes Montgomery (1960). Percy Heath was an American jazz

Wes Montgomery (electric guitar), Tommy Flanagan (piano), Percy Heath (bass) and Albert Heath (drums). From the album The Incredible Jazz Guitar of Wes Montgomery (1960). Tommy Flanagan was an American