Hello friends and Splinterlands community, I hope you're having a lovely day, a new week, and a new creative challenge. I especially enjoyed this fan art, and I hope you like it too.
Hola amigos y comunidad de Splinterlands, espero que est茅n teniendo un lindo d铆a, nueva semana y nuevo reto creativo, en especial este fan art lo disfrut茅 mucho y espero que a ustedes les guste tambi茅n.
| Final Art Without Text/Arte Final Sin Texto |
The inspiration behind this fan art is Shadowy Presence. Looking at the original card art, we can see two ghostly figures with terrifying expressions鈥攍ike fierce nightmares. Naturally, that had to be conveyed in my final piece, so I went with a dark realism style reminiscent of an old photograph taken with an analog camera. What really caught my attention was the card鈥檚 description on the Splinterlands Wiki, and I even ended up incorporating it into the composition. It says something like: Sometimes you just know something dark is right there with you, even if you can't see it. It can be summoned by dark summoners鈥攄on鈥檛 let it cling to you.
La inspiraci贸n detr谩s de este fan art es Shadowy Presence, mirando el arte de la carta original podemos encontrar dos figuras fantasmales con expresiones terror铆ficas, como pesadillas feroces. Por supuesto que eso ten铆a que transmitirse en mi resultado final, por lo que me decant茅 por un estilo de realismo oscuro, que recordara una vieja fotograf铆a capturada con una c谩mara anal贸gica. Me llam贸 mucho la atenci贸n la descripci贸n de la carta en la Wiki de Splinterlands y al final termin茅 incluso agreg谩ndola a la composici贸n, dice algo como: A veces simplemente sabes que algo oscuro est谩 justo ah铆 contigo, aunque no puedas verlo. Puede ser invocada por invocadores oscuros; no permitas que se adhiera a ti.
| Wiki |
Proceso Creativo
Almost the entire drawing was done in dark tones, except for the initial sketch outlining the shapes of the specters. I used many textured brushes to layer grass, fog, and trees, but without a doubt, creating the sky and the terrifying face of the shadows was my favorite part. I'm sharing some images of the process with you.
Pr谩cticamente todo el dibujo lo hice en tonos oscuros, a excepci贸n del primer boceto de las formas de los espectros. Utilic茅 muchos pinceles texturizados para agregar pasto, niebla y 谩rboles por capas, pero sin dudas hacer el cielo y el rostro terror铆fico de las sombras fue mi parte favorita. Les comparto algunas im谩genes del proceso.
As always, I鈥檒l also share the entire process as an animation to better appreciate each step鈥攊t鈥檚 one of my favorite parts, especially the jump from faceless forms to terrifying creatures.
Como siempre compartir茅 tambi茅n todo el proceso en formato de animaci贸n para apreciar mejor el paso a paso. Me gusta mucho, sobre todo el salto de no tener rostro a verse como aterradoras criaturas.
To stylize it even more, I added text from the Wiki description and some extra details into the composition. I really loved the final result, and I think this is easily one of my favorite Splinterlands fan arts ever. I hope you all liked it too, friends! Sending a big greeting and see you in the next blog post.
Para estilizarlo a煤n m谩s agregu茅 en una composici贸n textos con la descripci贸n de la Wiki y algunos detalles. Me gust贸 mucho el resultado final y creo que es de mis fan art de Splinterlands favoritos por mucho. 隆Espero que a ustedes tambi茅n les haya gustado, amigos! Un gran saludo y nos leemos en el pr贸ximo blog.
| I鈥檓 Ernesto, a Cuban passionate about art and writing. Always learning, always growing. Excited to share and learn more every day! I write about art, drawing, video games, nature, and review the things I like. My goal is to inspire and connect with others through my creative journey. |
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I apologize if there are any grammatical errors, English is not my native language, I have tried to be as careful as possible.
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