A gem has arrived on my bookshelf [Eng/Esp]

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What a discovery! A book has come into my hands that I already know will become one of those treasures you never lend out for fear they won't come back. It is a work of Contemporary French Fiction and I consider it, without exaggeration, a jewel that will adorn my small library. I can already picture it there, on the shelf of beloved books, alongside others that also have a soul.

It is an anthology, and I usually distrust anthologies a bit, because they often range from the generic to the forgettable, but this one is different. It contains stories by Florence Delay, Raymond Bozier, Michel Chaillou, Jean Pierre Ostende, Pierre Michon, Patrick Deville, Franรงois Bon, and other names that already give me a thrill just reading them in the table of contents. I have only read two stories, and I am already so excited I can barely contain myself. Honestly, I have spent the whole afternoon wandering around the house with the book in my hand, as if letting it go would break the spell.


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The first one hooked me with its opening sentence, and you know how that is; sometimes a single line grabs you by the throat and doesn't let go until the last word. A dense, beautiful prose that is not afraid to linger on details, to skirt around silence. And the second one hurt me but left me with that kind of good melancholy that only authors who truly know how to look at their characters can achieve. Now I only want to continue, but I also want to take my time because this is not meant to be devoured; it is meant to be chewed slowly, like a hard candy that lasts for hours.


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French narrative is one of my favorites. I don't know if it is because of that way of treating language as if it were a tangible, almost sculptural material, or because of that blend of subtlety and depth that needs no grand gestures to tell something immense. I suspect it comes from far back, from when I read Yourcenar or Duras without fully understanding why they stirred me so deeply. Then came Modiano, Le Clรฉzio, and that certainty that France continues to give birth to writers who write as if literature still truly mattered.


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So here they all are, the contemporary ones, the ones still very much alive and kicking, and their stories await me. With insomnia already appearing on the horizon, I think I will not sleep tonight. But it will be for a beautiful reason, because it will be one of those nights when you stay with a book until sleep overcomes you, and then you dream of the sentences, of the characters, of the exact music of the words in French even though you read them translated.


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So that's it. I will make myself some tea, put my phone on silent, turn off the big light and leave only the bedside lamp on. It will be a night of stories and of a small but happy library, because that is what I have learned over the years: it does not matter how many books you have, but how many inhabit you.

๐Ÿ“–


๐Ÿ“–

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โœจ ๐‘ป๐’‰๐’‚๐’๐’Œ๐’” ๐’‡๐’๐’“ ๐’“๐’†๐’‚๐’…๐’Š๐’๐’ˆ! โœจ
๐‘ฐ๐’‡ ๐’š๐’๐’– ๐’…๐’๐’โ€™๐’• ๐’Œ๐’๐’๐’˜ ๐’Ž๐’† ๐’š๐’†๐’•, ๐‘ฐโ€™๐’Ž ๐’‚ ๐‘ช๐’–๐’ƒ๐’‚๐’ ๐’๐’†๐’–๐’“๐’๐’๐’๐’ˆ๐’Š๐’”๐’• ๐’‚๐’๐’… ๐’˜๐’“๐’Š๐’•๐’†๐’“, ๐’‚ ๐’Ž๐’๐’•๐’‰๐’†๐’“, ๐’‚ ๐’˜๐’๐’Ž๐’‚๐’, ๐’‚๐’๐’… ๐’‚ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“ ๐’˜๐’‰๐’โ€™๐’” ๐’‡๐’๐’–๐’๐’… ๐’Š๐’ ๐‘ฏ๐’Š๐’—๐’† ๐’‚ ๐’ƒ๐’†๐’‚๐’–๐’•๐’Š๐’‡๐’–๐’ ๐’”๐’‘๐’‚๐’„๐’† ๐’•๐’ ๐’”๐’๐’‚๐’“.
๐‘จ๐’๐’ ๐’•๐’†๐’™๐’• ๐’‚๐’๐’… ๐’Š๐’Ž๐’‚๐’ˆ๐’†๐’” ๐’‚๐’“๐’† ๐’Ž๐’š ๐’๐’“๐’Š๐’ˆ๐’Š๐’๐’‚๐’ ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’๐’๐’”, 100% ๐’‰๐’–๐’Ž๐’‚๐’-๐’Ž๐’‚๐’…๐’† (๐’๐’ ๐‘จ๐‘ฐ).
๐‘ฉ๐’‚๐’๐’๐’†๐’“ ๐’…๐’†๐’”๐’Š๐’ˆ๐’๐’†๐’… ๐’ƒ๐’š ๐‘ณ๐’–๐’Ž๐’Š๐’Š.
๐‘ณ๐’๐’—๐’†๐’… ๐’•๐’‰๐’Š๐’” ๐’‘๐’๐’”๐’•? ๐‘ผ๐’‘๐’—๐’๐’•๐’†, ๐’„๐’๐’Ž๐’Ž๐’†๐’๐’•, ๐’๐’“ ๐’“๐’†๐’ƒ๐’๐’๐’ˆ ๐’•๐’ ๐’”๐’‘๐’“๐’†๐’‚๐’… ๐’•๐’‰๐’† ๐’˜๐’Š๐’๐’ˆ๐’” ๐’๐’‡ ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’Š๐’•๐’š! ๐Ÿ’›

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VERSIร“N EN ESPAร‘OL

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Ha llegado una joya a mi librero

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Quรฉ hallazgo. Ha llegado a mis manos un libro que ya sรฉ que se va a convertir en uno de esos tesoros que uno no presta por miedo a que no vuelvan. Es de narrativa francesa contemporรกnea y lo considero, sin exagerar, una joya que engalanarรก mi pequeรฑa biblioteca. Ya lo imagino allรญ, en el estante de los libros queridos, junto a otros que tambiรฉn tienen alma.

Es una antologรญa y yo suelo desconfiar un poco de las antologรญas, porque a veces van de lo general a lo olvidable, pero esta es distinta. Trae relatos de Florence Delay, Raymond Bozier, Michel Chaillou, Jean Pierre Ostende, Pierre Michon, Patrick Deville, Franรงois Bon y otros nombres que leer en el รญndice ya me produce un cosquilleo. Solo he leรญdo dos relatos y ya estoy tan emocionada que no me aguanto. De verdad, llevo toda la tarde dando vueltas por la casa con el libro en la mano, como si soltarlo fuera a romper el hechizo.


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El primero me atrapรณ por la frase inicial y ya saben cรณmo es eso, a veces una sola oraciรณn te agarra del cuello y no te suelta hasta la รบltima palabra. Una prosa densa, hermosa, que no tiene miedo a detenerse en el detalle, a bordear el silencio. Y el segundo me doliรณ pero me dejรณ esa especie de melancolรญa buena que solo logran los autores que saben mirar de verdad a sus personajes. Y ahora solo pienso en seguir, pero tambiรฉn quiero demorarme porque esto no es para devorarlo, es para masticarlo despacio, como un caramelo duro que dura horas.


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La narrativa francesa es una de mis preferidas. No sรฉ si serรก por esa forma de tratar el lenguaje como si fuera un material tangible, casi escultรณrico, o por esa mezcla de sutileza y hondura que no necesita grandes gestos para contar lo enorme. Sospecho que me viene de lejos, de cuando leรญ a Yourcenar o a Duras sin entender bien por quรฉ me removรญan tanto. Y luego llegaron Modiano, Le Clรฉzio, y esa certeza de que Francia sigue pariendo escritores que escriben como si la literatura aรบn importara de verdad.


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Pues aquรญ estรกn todos ellos, los contemporรกneos, los que aรบn estรกn vivitos y coleando, y sus relatos me esperan. Y yo, con el insomnio asomando ya en el horizonte, creo que esta noche no dormirรฉ. Pero serรก por algo bonito, porque serรก de esas noches en las que te quedas con un libro hasta que el sueรฑo te vence y luego sueรฑas con las frases, con los personajes, con la mรบsica exacta de las palabras en francรฉs aunque las leas traducidas.


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Asรญ que nada, me preparo un tรฉ, pongo el telรฉfono en silencio, apago la luz grande y dejo solo la lรกmpara de la mesilla. Y va a ser noche de relatos y de biblioteca pequeรฑa pero feliz, porque eso he aprendido con los aรฑos: da igual cuรกntos libros tengas, sino cuรกntos te habitan.

๐Ÿ“–


๐Ÿ“–

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โœจ ยก๐‘ฎ๐’“๐’‚๐’„๐’Š๐’‚๐’” ๐’‘๐’๐’“ ๐’๐’†๐’†๐’“! โœจ
๐‘บ๐’Š ๐’‚รบ๐’ ๐’๐’ ๐’Ž๐’† ๐’„๐’๐’๐’๐’„๐’†๐’”: ๐’”๐’๐’š ๐’๐’†๐’–๐’“รณ๐’๐’๐’ˆ๐’‚ ๐’š ๐’†๐’”๐’„๐’“๐’Š๐’•๐’๐’“๐’‚ ๐’„๐’–๐’ƒ๐’‚๐’๐’‚, ๐’Ž๐’‚๐’…๐’“๐’†, ๐’Ž๐’–๐’‹๐’†๐’“ ๐’š ๐’”๐’รฑ๐’‚๐’…๐’๐’“๐’‚ ๐’’๐’–๐’† ๐’†๐’๐’„๐’๐’๐’•๐’“รณ ๐’†๐’ ๐‘ฏ๐’Š๐’—๐’† ๐’–๐’ ๐’‰๐’†๐’“๐’Ž๐’๐’”๐’ ๐’†๐’”๐’‘๐’‚๐’„๐’Š๐’ ๐’‘๐’‚๐’“๐’‚ ๐’—๐’๐’๐’‚๐’“.
๐‘ฌ๐’ ๐’•๐’†๐’™๐’•๐’ ๐’š ๐’๐’‚๐’” ๐’Š๐’Žรก๐’ˆ๐’†๐’๐’†๐’” ๐’”๐’๐’ ๐’…๐’† ๐’Ž๐’Š ๐’‚๐’–๐’•๐’๐’“รญ๐’‚, 100% ๐’‰๐’–๐’Ž๐’‚๐’๐’๐’” (๐’”๐’Š๐’ ๐‘ฐ๐‘จ).
๐‘ฉ๐’‚๐’๐’๐’†๐’“ ๐’…๐’Š๐’”๐’†รฑ๐’‚๐’…๐’ ๐’‘๐’๐’“ ๐‘ณ๐’–๐’Ž๐’Š๐’Š.
ยฟ๐‘ป๐’† ๐’ˆ๐’–๐’”๐’•รณ ๐’†๐’”๐’•๐’‚ ๐’‘๐’–๐’ƒ๐’๐’Š๐’„๐’‚๐’„๐’Šรณ๐’? ๐‘ฝ๐’๐’•๐’‚, ๐’„๐’๐’Ž๐’†๐’๐’•๐’‚ ๐’ ๐’“๐’†๐’ƒ๐’๐’๐’ˆ๐’–๐’†๐’‚ ๐’‘๐’‚๐’“๐’‚ ๐’‚๐’š๐’–๐’…๐’‚๐’“ ๐’‚ ๐’…๐’†๐’”๐’‘๐’๐’†๐’ˆ๐’‚๐’“ ๐’†๐’”๐’•๐’‚๐’” ๐’‚๐’๐’‚๐’”. ๐Ÿ’›