And yet, besides graphics and snowdrifts as a fact, I found an interesting creative theme: the color of snowdrifts. It's a pity that I didn't have time to fully reveal it, but there will be a topic for the future on how to capture the usual hated snowdrifts beautifully.
I liked it because it's very similar in meaning to colored neon puddles...even remotely.
All these areas (graphics and color) were revealed briefly, as everything happened in a couple of evenings in the general photographing of all the snowdrifts.
That is, in three posts and three different topics – two evenings of walking and seven different neighborhoods of Vologda.
I literally grabbed everything I saw around me as I ran.
And from the total number of images, graphics and color were born.
I liked the colored snowdrifts better...It's a pity that the color palette in nature is not so extensive...and the color palette of the illuminated signage is even more meager.
These are not puddles under a glowing banner, where each shade manifests itself in its own way.
Here, if the total luminous flux merges into one blue, then the snowdrift will be blue.
And it doesn't matter that the sign is multicolored... it has both yellow and red...
But if the dominant color is blue, then everything will turn blue.
Although there is one point: if there is a relief on the snowdrift, and the light sources are from different sides, then there is a chance to capture two or more different colors.
In general, I just found this topic, but I didn't have time to explore it.
I am sure that next snowy winter I will work in more detail on the color in the snowdrifts.
