#electroacoustic

This is my electro-acoustic chair that is performed by sitting and moving in it. The idea is to record the squeaky sound of the chair and then scrub it by rotating/tilting in the chair. To be able to do

This is an example of musique concrète I composed in 1991 at the Experimental Music Studios at UIUC, Urbana-Champaign. Swampmusic III is an experimental tape study which explores the timbral possibilities

Experimental Synclavier composition using some organizational techniques likely stolen from Igor Stravinsky. From "The Black Cat and Other Northern Adirondack Tails", released January 24, 2013. ► Listen

This ambient Cageiesque soudscape was designed using sound files generated from a collection of Max algorithms and assembled using Reason. My work is released under a Creative Commons

Swampmusik, composed during January, 1985, is my first 'official' work of “electronic music”. It was produced at the electronic music facilities at Crane School of Music in SUNY Potsdam. The main piece

"Dial the Ear" (1992), for electronic guitar and EWI, was performed at Smith Hall, January 30, 1992 at the University of Illinois by Mark Zanter (guitar) and Qadaqa (electronic wind instrument) at a concert,

Tom Holmes' photography of his ice sculptures form the basis of this video work, accompanied by ambient music derived from recordings of percussion improvisations performed in early 1985. The soundscape

Swampmusik, January, 1985 was produced at the Center for Newmusic, Crane School of Music in SUNY Potsdam. I used an Electro-Comp 200 synth and my sax; one night Tom Holmes came in with his drums to improvise.

“Anemic Shadows” (2016) is a newmedia work based on electronic music material I created in the late 1980s using David Zicarelli’s “M” software (published by Opcode back in the day), reorchestrated using