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This is our curation effort that aims to curate posts that are shared in the Holozing community. These posts highlighted are the finest content that our Holozing curators submit for curation. We also encourage you to visit these blogs and show these great Holozingers your support and encouragement. Engagement is what makes the community thrive, so we hope that you are taking the time to visit each other's posts.
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Yow yow yow zingers! another day another back ache for this art piece, imma head back to bed after posting this on holozing so there you have it, nothing so much special just wanna share that i learn a bit of the basics of dynamic angles by surfin through the net...
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To make this keyring, I used flexible clay, which I had to color by mixing it with a large amount of black paint. This allowed me to create a dark black clay, although it was a little lighter in color. It was a little soft, so I had to wait a while for it to dry before I could mold it. Just as I did with the black flexible clay, I also made red flexible clay, a fairly intense color, to make half of Emberion's face in the center of this medallion. I started with a simple shape, which I began to mold until I achieved the basic shape of the dragon's head. After creating this shape, I added the eye, then drew a small blue eyebrow above it, giving it that angry dragon look that Emberion has. After doing that, I used the cutter to make a clean cut in the middle, so that the medallion with Emberion's skull would be divided on one side of the medallion...
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Today, I've decided to create chibi versions of the holozing characters below. I was considering how to position both characters. I decided to sketch female light healer first, and then sketch chibi Fally beside her. and see how it goes. I was thinking about using a coin, but it didn't really fit with the vibe of fally and light healer's gesture. So I thought, why not go with a biscuit instead? It just makes more sense. I ended up finalizing the line art with this gesture. Hair and eyes are always my first step when I color the flat layers~ then, as always, I get excited about putting the highlights and shadows on them...
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First I used a 2B pencil for sketching on a jota to help design also give me a clear idea of how I want the drawing to look like before sketching it out on my canvas. the main sketch of the fine art helps in figure, designs and pose of the character. I used to be pencil for the sketch. Second, I use black ball pen to draw the line art of the sketch highlighting the form making the drawing look clear. Third I said applying colors to the drawing using pencil colors building up the color process step by step from skin tone to shadows...
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Today I decided to draw Cinelara from Holozing. I often draw the human version of the creatures from Holozing because I’m not really good at drawing creatures but these days I’m trying to draw them as well. This time I drew Cinelara as its holding a big leaf in its hands. After I worked on the sketch and it was finished, I went on coloring the character and after shading with a darker color. I added highlights. Then I worked on the wings and the facial features and added more details on them. As for the background, I decided to draw trees because I think Cinelara belongs to forests and live there...
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Today I want to share a new creation with you. I created a Cinelara fan art with a very different twist, this time heavily inspired by anime, especially the mecha genre, one of my favorites. So, I drew a Cinelara robot heavily inspired by Gundam. I don't know if you've ever seen it, but it's one of my favorite animes. Here I drew it, taking it as inspiration and adding our character's signature colors. Below I'll briefly explain the step-by-step process. Let's get started! What's in the sketch? Well, I mainly made a circular helmet for the head, then the body is like a chibi version of a Gundam, but adapted to the movie character. Then, to make the design even cooler, I drew four fully robotic wings. I began drawing Cinelara's sketch with a base of red and orange, which I alternated to create a contrast between light and shadow. I made the eyes look like giant glasses, which I painted yellow with orange edges to create a contrast. As I painted, I left blank spaces for our character's black circles...
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I am sharing some fan art inspired by one of the characters known as Chirpily. My fan art is a square woven bracelet with threads and colored beads alluding to the character, which stand out and provide an elegant style. Without further ado, I invite you to join me in this fascinating creation and get your hands on the thread. To begin this beautiful jewelry I started by cutting two 40cm strands of thread which I will use as the base for our bracelet. I then cut two 130cm strands of yarn that I will use to make the square weave. Started the bracelet by making flat knots in the following way: First I took the right strand, passed it over the base, made a P shape, then took the left strand, passed it over the right strand (which was on the left side), then passed it over the base and pulled it through...
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It's been a while, and I'm back with a fan art for the Holozing game - of the great Gemino. This time, I did two variations for the final result. Both of which use either of the prominent colors in her color palette - the golden orange and the purple. I wasn't sure which one looked the best, so I included them both. I would love to hear your thoughts on which one ended up looking better. I would go with the purple vertical rays since I think there's enough orange in the subject, but then again, using the orange in the back would add to the color consistency of the subject and the background despite making it somewhat monotone...
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Well, this sketch is easy to do; it's one of the poses I practiced a lot. Later on, I'd like to share my sketchbook with you. Now that we have the basic shape, we can sketch it in red, keeping the reference painting in mind. In my version, I wanted to give her a more innocent look. Another detail is that I didn't add the blue part of the scarf because it would cover her green hair, and I feel that this is part of the forest healer's identity. Instead, I added her forest headband. With the sketch ready, all that's left is to do the line art in black. I thought about changing the brush, but I feel like it would vary too much from the other work, and I want this to be a kind of mini collection...
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To begin, I started with a rough sketch, where I focused on capturing the strength of the pose and the attitude of the character. The sketch is always the stage where I give life to the initial idea, and with Zappit, it was key to define his expression and posture. Then I moved on to the lineart, carefully tracing the outlines to achieve clean and defined strokes. This step is essential because it gives the drawing its structure and helps me prepare the character for the next layers of detail. Once the drawing was defined, I added the base colors. I used bright yellows and oranges to represent electricity and kept the traditional palette of Zenitsu as inspiration, blending it with Zappit’s natural energy...
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