Likewise, as this publication is titled, the overexposure in the background consists of, as can be seen in these photographs, the treatment of a background almost entirely in white and has to do mostly with the incidence of lighting, as well as the amount of light that enters through the camera, and in this case my intention as in other previous photographic works, is to highlight and figure the motifs either in backlight or with a greater texture of the silhouettes.
And in all these photographs I found several images that are also integrated by lines and shapes, as well as other essential elements in the frame. From tree branches to electrical structures, they are perfect for the creation of these compositions where I focus on highlighting both the second and foreground of the photograph, which are composed mostly by the motifs of interest.
On the other hand, overexposure does not have to be a bad term for photography, because at certain times you can use certain fundamentals of overexposure to compose images, where you have to take into account up to what levels it is necessary to overexpose the photographs without burning the images themselves.
All photographs are my own.
