Yeah, I was doing something yesterday, I was doing a skull that I wanted to do in a different way than I normally do skulls, and then I realised that I think I need to do it in a bigger paper, because I was doing it with pencil, and, um, I want to, I've been trying to focus on the pencil a lot, but, you know, they get smudgy, but I, because I haven't worked with pencil for so long, and I keep forgetting to put paper between my hands, my palms, and I was like, oh, gosh, I've messed it up, where's the netted eraser, try to, you know, cap it out. It's either that, or keep applying coats of hairspray, fixative. Yeah, well, fixative, because we've used hairspray at school, because it's the cheapest, but it does yellow your paper, so you have to be careful with that.
Well, it is. It is very nice. It's intriguing, because I was telling everybody that I've gone back to the pencil.
It's sort of the same thing. I hear you. Nice, nice.
For us, we just take it for granted. Like, oh man, here comes the snow. He was just ecstatic like a school kid.
Oh, man. I did a spelling mistake in ink. Nice big spelling mistake.
And everybody pointed it out at the show. And I'm like, ah. I just started to tell myself, you know, that's a signature.
It's really cool. Without making anybody cry, hey? Yeah, yeah. Okay, good.
yeah, yeah. When you do critiques sometimes the proper way can make somebody cry. That's why.
And by the way, you're on my list this week for me to have an article written about you because I'm doing an art spotlight like every day on articles on X now. Oh, that is awesome. You're on my list.
Thank you. Well, thank you. I am very humbled and honored.
Wow. Yeah, I love you and I love everything you're doing, man. The way you support other artists and I just want to like, I want to put you up and I want more people to know about you.
