It seems to me that all the creative techniques I use, such as spotting, overlapping objects, graphics and other things, I first work out each locally, and then after working them out to automatism, I use everything a little bit.
That is, at first I study only one spot, then only one graphic, and then it manifests itself to one degree or another in any shooting.
The best thing is when all the techniques are in one shot.
But it doesn't always work out that way...and you don't need it.
The main thing is to study them, to know how they work and that's it. The rest will come later.
Reporting techniques are also interesting.
Blurring the background is sometimes necessary.
And framing can be used with absolutely any objects, from people to trees and even combine them.
To be honest, I don't think about the shots...I just see it.
And this is a long-term training that has been developed to automatism.
By the way, it will be necessary to observe and record your photographic desires at different frequencies (creative waves).
Once upon a time, I have impulses to publish some books on various topics.
A couple of times a year I want to start teaching photography.
Sometimes there is a desire to go to some large photo agency.
And sometimes you don't want to take pictures at all.
And sometimes it breaks through to write a lot about photos.
And now I need to observe what creative waves influence all this.
So far, I want to capture as many beautiful views with yellow trees as possible.
