Since such a topic has gone, I decided to try a different light. Under the rays of the morning sun, completely different streets are illuminated.
In the morning, as I noticed, the light intensity is much brighter than in the evening, which means that even more contrasting scenes will be obtained.
I also understood how to insert people into the frame: so that they are somewhere far away and do not interfere with the consideration of bizarre patterns and rhythms.
You can take the melting snow on the asphalt larger, but then the landscape becomes abstract.
In principle, I had already noticed these plots before, but I think that I took up this topic too late.
It would be possible to develop it to the state of graphics, which is now somewhere around that.
By the way, it would be possible to call this topic the graphics of melting snowdrifts.
But somehow it turned out too street-like, with all the contrast, the plannedness was preserved.
And the graphics for me are something flat, without plans and volume.
There are topics that I do not have time to reveal during the elusive season, that I have to wait for the next one.
The problem with this topic is that even if I wait until next spring, it鈥檚 not a fact that just such a state of weather will happen again.
Although snowdrifts melt about the same every year.
Thanks to the place for the call, the winter for the snow, the weather for the frosty mornings, the sun for the warm rays.
