One of my favorite spaces where I like to go for street scenes is Babushkin Square in Vologda. There are bus and railway stations here, respectively, there are people here.
There is also a large bridge over railway tracks, a complex car network and even churches nearby.
Because of the high concentration of architecture and the complexity of the entire infrastructure, I like this place.
It used to be a little more boring here, but after the renovation of the square, new interesting views appeared.
In general, street life is concentrated at railway stations in any city.
These are still aesthetic shots of a reportage nature.
I used to go here very often for the metaphysics of spots.
And I will come again more than once.
...I have been studying my perception of the world for many years and constantly wonder why today I see and want to photograph one thing, but tomorrow I can perceive everything differently and photograph something completely different in the same place.
Moreover, it all repeats and alternates from year to year.
I've already realized that it all depends on your mood...and my mood depends on the frequency of light vibrations in the matrix of my soul.
Yeah, it's hard to understand when nothing is confirmed by scientific facts...especially the presence of a human soul and these vibrations.
If we speak not in philosophical words, but in simple understandable ones, then in a certain mood the world is seen differently.
The mood is different every day, and it can change every hour.
But there is a more global mood, which I call frequency.
I can see the world around me from a certain angle for several months, that is, pay attention to street life.
And then I will become uninterested in it and I will go into a mood where I want to get away from the city and people, where there are only abandoned cellars in remote villages.
And then a mood appears where I see the world abstractly in the form of spots, where the plot is not important, but the focus is only on the physical manifestations of light in the world around me and how this light is reflected on objects and details.
At the same time, all other genres (i.e. perception of reality) become uninteresting to me, which means I don't pay attention to something else, that is, I don't see.
If there is an understanding and awareness that such sentiments exist (in a global sense), then it remains only to learn how to manage them.
