OK, nice one. Now there's a time that you have to maybe do your song, drop it on an album, right. And then walk up to the big men in Alabama. Yeah. And then they give you some certain amount of money. Yeah, right. Sounds big to you. But then it might not actually be what they make in revenue from it. But then you'll be happy that you made that sale. Hey, I ain't gonna get your, you know, get your apartment and leave flat and, you know, flex a piece of the club now.
Those men sort of control the distribution here. Yeah, they did right now and and and they are still doing it. Yeah, they are still doing. Now the people who control the global parts also are there like you just mentioned now. Yeah, my difference is.
Oh, let me ask you first, don't let me just drink. Do you think that this man, the distribution, the local distribution channels or structure structure have in Nigeria, do you think it is?Commercially viable enough for an artist compared to why 00 guys are not making, artists are not making money from. So if you look at traditional in Nigeria where most art is like make money from and they brag about it.
You know, you get shoes or you get endorsements or probably like, I mean, you go extra steps are you know, go by look at cranny means. But I mean it was only shows and he has always been shows and just endorsements. If you're lucky enough, you get an endorsement. If you have a nice song or a hit song, you get shoes.
