某天，我站在某個角落，看著這些無人遊玩的充氣城堡，覺得它有一種莫名奇妙的矛盾感，為了歡樂而存在的充氣樂園，就是讓孩子們在裡面跳躍、跌倒、再爬起來，但當孩子們消失之後，它卻變成了一個過度安靜的巨大玩具，失去了原本的意義，再看看售票台前沒有排隊的人潮，站在裡面的售票員，默默地盯著我，連可以免費領取的禮物，都沒人領取，這個樂園就是一座空城。
然而，其中一座充氣城堡傳來歡笑聲，有一位金髮碧眼的小女孩，在城堡中玩耍，她在滑梯上小心地攀爬，又在彈跳區用力地跳躍，看護人坐在城堡外側，安靜地注視著她，確保安全，也同時保持一段恰到好處的距離，她的笑聲成為唯一的聲音來源，使這片空間短暫地恢復了遊樂場應有的樣子，我站在遠處看著，忽然有種奇妙的感覺，小女孩沒有對手，也沒有競爭者，一個念頭突然浮現在我腦海中「一個人的武林」。
《一個人的武林》是一部我曾看過的香港動作懸疑電影，講述一個人為了成為天下第一，瘋狂挑戰並擊殺各路武術高手，以站在武術巔峰的故事，不過，「一個人的武林」要怎麼解讀，真是見仁見智，之所以我會浮現這個念頭，是因為當下的畫面太過衝突了，整個遊樂場裡，沒有其他孩子，只有那一位金髮碧眼的小女孩，在充氣城堡中獨自玩耍，對我而言，那一瞬間的感受很特別，一方面覺得她像是「天下第一」，擁有整座遊樂場，另一方面又覺得，這樣的「第一」，其實是建立在沒有對手、沒有同伴的情況，快樂與孤獨，就這樣同時存在於同一個畫面裡，彼此沒有衝突，卻也無法完全分開。
One day, I stood in a corner watching these deserted inflatable castles, and I felt a strange sense of contradiction. An inflatable amusement park exists for joy. It is meant for children to jump, fall, and get back up inside it. But once the children disappear, it turns into an unnaturally quiet giant toy, losing its original meaning. Looking over at the ticket booth, there was no queue. The staff inside stared silently at me, and even the free gifts on offer went unclaimed. The entire amusement park felt like an empty city.
From one of the inflatable castles, laughter suddenly echoed. A young girl with blond hair and blue eyes was playing inside. She carefully climbed up the slide and then bounced energetically in the jumping area. A caregiver sat outside the castle, quietly watching her to ensure safety while keeping a respectful distance. Her laughter became the only sound in the space, briefly restoring the atmosphere of what an amusement park should be. Standing from afar, I felt something strange. The girl had no opponents and no competitors. A thought suddenly appeared in my mind: “a one-person martial world”.
Kung Fu Jungle is a Hong Kong action thriller I once watched. It tells the story of a man who, in order to become the strongest under heaven, relentlessly challenges and kills masters from various martial arts schools to reach the peak of martial prowess. However, how to interpret “a one-person martial world” is truly open to interpretation. The reason this idea came to me is because the scene at that moment felt so contradictory. The entire amusement park had no other children, only that blond, blue-eyed girl playing alone inside the inflatable castle. In that instant, I felt something unique: on one hand, she seemed like the “number one under heaven”, owning the entire amusement park; on the other hand, this “number one” was built on the absence of opponents and companions. Joy and loneliness coexisted in the same frame—without conflict, yet impossible to fully separate.
