In my opinion, the most important thing that you should pay attention to when working with oil is the brush! It is on them that the outcome and process depends. They can be a continuation of your hand and make the process enjoyable. Or it will be an obstacle with every blow and create a bunch of problems and corrections. Then you will regret taking it.I understand that artists really appreciate the "price-quality" ratio and will gladly share their choice in brushes. Inexpensive nameless synthetics are crushed and quickly spoiled, the villi become fans and can no longer be used. At the beginning of the work they are very good, and the low price allows them to change frequently. I have a large set, a big dream about a centimeter wide, since my technique is ideal, other brushes are about 0.5 cm wide, and the smallest is a round brush for small parts. The synthetic heap is rather soft, it keeps its shape well. Smears make very pleasant thanks to the flat form, they turn out to be bold and give a small texture. If you want, you can paint "vpolskaya" on the surface. The big and medium ones did not change shape, a small spot, still in working condition, but you can not see the eyelashes. Brushes for small parts when working with oil paints you will have to change a little more often in any case. Much, of course, depends on your drawing technique and preferences.
