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LeoGlossary: A Man for All Seasons (1966 Film)

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A Man for All Seasons is a 1966 British historical drama film directed and produced by Fred Zinnemann, adapted by Robert Bolt from his play of the same name. The film depicts the final years of Sir Thomas More, the 16th-century Lord Chancellor of England who refused to sign a letter asking Pope Clement VII to annul Henry VIII of England's marriage to Catherine of Aragon and to take an Oath of Supremacy declaring Henry Supreme Head of the Church of England.

Paul Scofield played the role of Sir Thomas More in the film, and the cast and crew won several awards, including the Academy Award for Best Picture at the 39th Academy Awards. The film was a critical and box-office success, and it also won the Golden Globe Award for Best Motion Picture - Drama and the BAFTA Awards for Best Film and Best British Film.

Plot

A Man for All Seasons is a historical drama that portrays the final years of Sir Thomas More, the 16th-century Lord Chancellor of England. More is caught between his obligations to the crown, his family, and the tenants of the church.

The plot revolves around his refusal to sign a letter asking Pope Clement VII to annul Henry VIII of England's marriage to Catherine of Aragon and to take an Oath of Supremacy declaring Henry Supreme Head of the Church of England.

The film depicts More's clashes with King Henry VIII and his loyalists as they press forward with grave charges of treason, testing More's resolve. The story ultimately culminates in More's beheading.

Trailer

Cast

Leading Roles:

  • Paul Scofield as Sir Thomas More
  • Wendy Hiller as Alice More
  • Leo McKern as Thomas Cromwell
  • Orson Welles as Cardinal Wolsey
  • Robert Shaw as King Henry VIII
  • Susannah York as Margaret More

Supporting Cast:

  • Nigel Davenport as the Duke of Norfolk
  • Corin Redgrave as William Roper
  • Cyril Luckham as Archbishop Thomas Cranmer
  • Vanessa Redgrave as Anne Boleyn
  • John Hurt as Richard Rich
  • Colin Blakely as Matthew
  • [Jack Gwillim as Chief Justice
  • Thomas Heathcote as Boatman
  • Yootha Joyce as Averil Machin
  • Anthony Nicholls as King's Representative
  • John Nettleton as Jailer
  • Eira Heath as Matthew's Wife
  • Molly Urquhart as Maid
  • Paul Hardwick as Courtier
  • Michael Latimer as Norfolk's Aide
  • Philip Brack as Captain of Guard
  • Eric Mason as Servant
  • Chris Adcock as Court Usher
  • Sylvia Bidmead as Woman at Execution
  • Bridget Brice as Maid
  • Garrett Cassell as Messenger
  • Gladys Dawson as Woman
  • Edwin Finn as Priest
  • Laura Graham as Maid
  • Harvey Hall as Courtier
  • Fiona Hartford as Maid
  • Walter Horsbrugh as Courtier
  • Donald Layne-Smith as Courtier
  • Leonard Llewellyn as Yeoman
  • Julie Martin as Maid
  • Robert Morris as Servant
  • Arnold Peters as Servant
  • Arnold Ridley as Gaoler
  • Jack Sharp as Messenger
  • Philip Stewart as Servant
  • Michael Wade as Servant

Other:

  • Fred Zinnemann as Director
  • Robert Bolt as Screenwriter

Director: Fred Zinnemann

Writer: Robert Bolt

Distributor: Columbia Pictures

Genre: History, Drama

Release Date (Theaters): Dec 12, 1966

Release Date (Streaming): Apr 16, 2012

Themes & Reception

The themes of A Man for All Seasons include the conflict between personal beliefs and political power, the importance of integrity and standing up for one's principles, and the dangers of blindly following authority. The film was well-received by critics and audiences alike, winning several awards, including the Academy Award for Best Picture at the 39th Academy Awards.

The film's director, Fred Zinnemann, allowed the play's dialogue to take center stage, and the low-budget production design by John Box was praised for its opulence and concision. The film's neutral stance on personal spirituality and politics was noted, with the characters trying to push against More being painted in a villainous light, but not all of England.

Setting

A Man for All Seasons is set in 16th-century England during the Reformation Period. The historical setting plays a significant role in the story, but the actual places visited in the film are not discussed in detail.

The film situates its action in the middle of one of the most crucial periods of transition in British and world history. The production design by John Box was praised for its opulence and concision, often creating sets and partial sets to take advantage of the chosen locations.

The film's director, Fred Zinnemann, allowed the play's dialogue to take center stage, and the low-budget production design was used to dictate the style of the piece

Trivia

  • The film was adapted from a play of the same name by Robert Bolt, who also wrote the screenplay.
  • The film was shot on a low budget, which dictated the style of the piece.
  • The film's director, Fred Zinnemann, allowed the play's dialogue to take center stage.
  • The film won several awards, including the Academy Award for Best Picture at the 39th Academy Awards.
  • The film's cast and crew won several awards, including the Golden Globe Award for Best Motion Picture - Drama and the BAFTA Awards for Best Film and Best British Film.
  • The film's production design by John Box was praised for its opulence and concision.
  • The film's themes include the conflict between personal beliefs and political power, the importance of integrity and standing up for one's principles, and the dangers of blindly following authority.
  • The film is set in 16th-century England during the Reformation Period.
  • The film's historical setting plays a significant role in the story, but the actual places visited in the film are not discussed in detail.
  • The film's neutral stance on personal spirituality and politics was noted, with the characters trying to push against More being painted in a villainous light, but not all of England.

Fun Fact

The film's star, Paul Scofield, was not the first choice for the role of Sir Thomas More. The role was originally offered to Richard Burton, who turned it down due to scheduling conflicts. Other actors who were considered for the role included Laurence Olivier and Albert Finney.

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