We have looked at how to use major, minor and augmented triads, and major 7th tetrads on the RH and the tritone on the LH as the base in voicing certain dominant chords. Today, we'll look at the continuation

Last time we looked at tritones and how to voice and use them in a progression, especially as passing and approach chords. We considered using major triads over a tritone pair. We mentioned that we could

A tritone is the division of an octave into 2 equal parts, and is measured as an interval between a note and its diminished 5th i.e. 1-b5. This interval is one of the most dissonant sounds, alongside a

Let's touch the ditone voicing of chords, but before that, let's try to understand why these voicings are overly in use now in western music, especially Jazz and Gospels. First, let's consider the basics.