They take us in the beginning, in the middle, and at the end of our lives, and force us to deal with their mindless fascist bullshit, that keeps trying to destroy the luminous beauty of life everywhere

You can play a shoestring if you're sincere #JohnColtrane

“Eternity’s Breath” (Parts 1 & 2) which opens the 1975 album Visions of the Emerald Beyond by Mahavishnu Orchestra is the greatest piece of devotional music that I know. A remarkable blend of the spiritual

John Coltrane (tenor sax), Alice Coltrane (piano), Jimmy Garrison (bass) and Rashied Ali (drums). From the album Expression (1967). Alice Coltrane participated in the last album recorded by her husband

John Coltrane (tenor sax), Alice Coltrane (piano) and Rashied Ali (drums). From the album Expression (1967). Alice Coltrane was an American jazz pianist harpist, and composer, as well as the second wife

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones and Rashied Ali (drums). From the album Meditations (1966). In his final stage, Coltrane was more and more involved

John Coltrane and Pharoah Sanders (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones and Rashied Ali (drums). From the album Meditations (1966). In 1961 Coltrane released his first

John Coltrane and Pharoah Sanders (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones and Rashied Ali (drums). From the album Meditations (1966). Coltrane had experienced a profound

John Coltrane and Pharoah Sanders (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones and Rashied Ali (drums). From the album Meditations (1966). Miles Davis, a former drug addict,

John Coltrane and Pharoah Sanders (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones and Rashied Ali (drums). From the album Meditations (1966). John Coltrane was an American saxophonist

Coltrane Una de mis más grandes influencias, genio del sax "La obra de Coltrane está conscientemente vinculada al contexto sociohistórico en que fue creada (en concreto, a la lucha por los derechos

Sonny Rollins (tenor sax), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums). Extraído del álbum Tenor Madness (1956). In this album Sonny Rollins plays

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). In this theme, it is best to listen without preambles, without knowing

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). The theme begins with a solo by Jones on drums. Inexhaustible, he seems

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). The introduction is played by Garrison with the double bass. Suddenly

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album A Love Supreme (1965). First a gong sounds to gather the congregation. In his introduction,

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). The drums is a percussion musical instrument composed of drums and cymbals

John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). From the album Crescent (1964). Lonnie had lost his wife in his house, a natural death. She already had a