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latest #chowning created topics | Ecency
rofilm
music
2018-11-24 06:26
Past Meets Future 95
Past Meets Future 95 Past Meets Future 95: In 1977 John Chowning composes Stria, a piece completely based on FM synthesis. See whole list at: Enjoy your day! Rolf
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rofilm
music
2018-11-05 06:33
Past Meets Future 77
Past Meets Future 77 Past Meets Future 77: In 1970 John Chowning creates credible brass-like tones by coupling a similar or even the same envelope to the amplitude as well as to the modulation index See
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rofilm
music
2018-11-02 05:46
Past Meets Future
Past Meets Future 74 Past Meets Future 74: 1968: Risset´s study of trumpet tones had a major influence on John Chowning´s own development of FM synthesis, as he once mentioned himself. See whole list at:
rofilm
music
2018-10-30 06:54
Past Meets Future 71
Past Meets Future 71 Past Meets Future 71: John Chowning wrote: “(in the 1960s) the theoretical potential for the production of rich dynamic sounds with computers was great, the knowledge required for
catharsis
Hive Gaming
2026-08-14 16:39
Published via Ecency
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Community Moderators muted, Reveal content
Playing Sunflower Land 🌻 + Farming Points in Yakkamon Pre-Registration
lo friends, recently I have been playing the Sunflower Land game. The same Sunflower Land team is going to launch the Yakkamon game in Q4 2026, so I am excited for Yakkamon to get early in the game and
rofilm
music
2018-10-21 06:08
Past Meets Future 62
Past Meets Future 62 Past Meets Future 62: In 1967 John Chowning “stumbles” upon FM synthesis – as he himnself used to describe his first findings. Enjoy your day! Rolf
rofilm
music
2018-10-11 04:36
Past Meets Future 52
Past Meets Future 52 Past Meets Future 52: “Max Mathews composed “The Second Law”, a piece, which is entirely made up of noise, free of common understanding of pitch, yet expressing pitch.” (John Chowning)
rofilm
music
2018-10-04 05:29
Past Meets Future 45
Past Meets Future 45 Past Meets Future 45: “It is in the detail, required when working with computers, that we find control of the sonic, theoretical and creative forms … and reveal our artistic expression...”