#chowning

Past Meets Future 95 Past Meets Future 95: In 1977 John Chowning composes Stria, a piece completely based on FM synthesis. See whole list at: Enjoy your day! Rolf

Past Meets Future 77 Past Meets Future 77: In 1970 John Chowning creates credible brass-like tones by coupling a similar or even the same envelope to the amplitude as well as to the modulation index See

Past Meets Future 74 Past Meets Future 74: 1968: Risset´s study of trumpet tones had a major influence on John Chowning´s own development of FM synthesis, as he once mentioned himself. See whole list at:

Past Meets Future 71 Past Meets Future 71: John Chowning wrote: “(in the 1960s) the theoretical potential for the production of rich dynamic sounds with computers was great, the knowledge required for

Past Meets Future 62 Past Meets Future 62: In 1967 John Chowning “stumbles” upon FM synthesis – as he himnself used to describe his first findings. Enjoy your day! Rolf

Past Meets Future 52 Past Meets Future 52: “Max Mathews composed “The Second Law”, a piece, which is entirely made up of noise, free of common understanding of pitch, yet expressing pitch.” (John Chowning)

Past Meets Future 45 Past Meets Future 45: “It is in the detail, required when working with computers, that we find control of the sonic, theoretical and creative forms … and reveal our artistic expression...”