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This time, I created fanart of the Holozing dragons, including Glaciox, Verdarox, Terraox, Tiderox, and Emberox. This artwork depicts the Holozing dragons gathered on an island inhabited by all the Holozing dragon species. This artwork took me about 6 hours to create...
Here is a simple artwork of Forest healer in a cute octopus haircut...
I had saved the basic shape from my last illustration; it was an idea I wanted to develop into a mini manga, as I mentioned. To turn it into a more detailed and stylized illustration, we spent a long time working on the sketch. To finish this stage, we did the line art in black using the Yuna brush. We added the base color. My initial intention was to make the leaves in the background in this style without adding too much detail. I mention this because I changed it later on. I added the colors for the healer and, at the same time, those for the creature...
Hello, guys, I bring you a very friendly illustration of the great Fire wolf universe Holozing, a great deer from the Holozing universe, which is very cute...
The first stage was sketching, where I laid down the structure and posture of Tiderion. I focused on giving him a dynamic stance that showed determination and readiness. This part is always exciting because it’s where the initial idea begins to take form on the canvas. Next came the line art. With clean lines, I defined the shape of his body, hair, and clothing. This step allowed me to bring more precision and clarity to the drawing, ensuring that every detail of his dragon-like features and samurai-inspired outfit would stand out. Coloring was the moment when Tiderion truly came alive. I carefully chose...
This time I did Verdion. Well, maybe I could go for drawing Verdarox and other dragon's evolved forms too to finally be able to call my collections... but I guess that thought's for another time. For this piece, however, I tried to absorb the nature of the dragon and drew her in a lush field filled with bushes and made it an entirely green canvas - a perfect habitat for Verdion itself...
First I used a 2B pencil for sketching the figure and pose of the character. This is very important why? Because this is the process where you'll be able to define the characters features trading figure and characteristic such as poses body size body height and what have you. Second, I used a black ball pen to bro a clean outline of the pencil sketch making the art clean. Third, I started applying colors step by step building up the coloring process is to pick out the right color combination for the art , after that start applying color to the art...
I used Ibis Paint for the first time, only because it records the process and doesn’t demand too much from my computer. It’s great to be able to show a bit more about how I start my paintings, though I’d need to get a bit more used to it. I felt a bit uncomfortable since I’m so accustomed to using keyboard shortcuts in Photoshop, so I made the initial sketch there and then went back to Photoshop to refine it. I was going to use the Pen Tool to create perfect lineart, but it was the same process I use to fill each part of the character, so I thought, “Wait, this is double work!” and just filled everything right away. I tried to apply all the detailing of the painting in grayscale—and I succeeded. The result looked perfect, and the grayscale work alone could have been considered a great finished...
Hey guys, I bring you my portrait version of Girl of light, a great holomaster from the Holozing universe...
Holozing Fan Art | Emberox in a humanized, feminine version 🔥
Well, I got down to work and started by creating a sketch with some soft strokes. As I mentioned before, this would be a humanized, feminine version of the dragon (Emberox), so I focused on giving it an appearance and proportions more in line with my style, keeping features such as the horns on the top of its head, the elongated ears, etc. To begin the coloring process, I looked for some peachy colors to build a base for the skin that would look quite natural and harmonious with the features of the original dragon. Then, for the eyes, I used sky blue and electric blue tones to create a large, tender, and fully expressive look...
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