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This is our curation effort that aims to curate posts that are shared in the Holozing community. These posts highlighted are the finest content that our Holozing curators submit for curation. We also encourage you to visit these blogs and show these great Holozingers your support and encouragement. Engagement is what makes the community thrive, so we hope that you are taking the time to visit each other's posts.
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I am a big fan of the outfits from the Egghead Island Arc of One Piece, the design is so futuristic and also unique for me, that is just my own opinion tho. I change the designs of some symbols from Bonney's clothings to have the aura or vibe of a Holozing Light healer. Since the egghead outfits have flying boots designed by Dr Vegapunk i think i need to incorporate some of the flying Holos here in this case i chose Fally. The story of this art is that Fally is assisting Bonney on flying through the night sky since you could see a better view during the night with the sparkling stars or meteor showers, the landscape or area beneath them is the ocean...
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It's been a bit, and I couldn't wait to try my hand at drawing a new idea I had for the Holozing game. To do this particular piece, I chose Zappit as the subject this time, and instead of going for something usual, I went a bit overboard and tried my hand at making the art look like an advertisement campaign. I really went wild with the "Z" orb and tried to make it the center of attention by adding the glowing rays... I hope that helps spark some curiosity haha. Anyway, that's it for today's fan art...
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Yow yow yow Zingers,, another day another back ache problems as this "selfie with zappit" holoart of mine took a ton of hours, by the way the light healer here was inspired heavily by Jessica Albert from the dragon quest. For starters just glide the pen and do a rough sketch of the two, i like to make them pose peace sign while embarassed well zappit looks like he doesnt mind but our light healer is blushing. clean that up i came up with a lineart that i am satisfied enough since i dont use lines at the final output rather i eliminate them as much as possible...
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To begin with, I set out to construct a sketch in which the Girl (Verdion) was turning in a sort of half-turn towards the front of my canvas, where she would also be seen with a very smiling expression on her face, but also highlighting the main features of the creature in its original form. Once I managed to capture my idea in the final sketch, the next thing in the process was to search my color palette for the appropriate tones to give shape and life to my character. In this case I opted for a color palette with medium green tones for the base of his body, the shadows, the highlights and other volume details which I always like to work with an airbrush first just before moving on to more rigid brushes with which I better define the details. In the 2nd stage I was in charge of giving the skin a kind of subtle texture of dragon scales, for this I used some of my pointillism brushes from the program (Krita) with which I placed certain brush strokes in the area of the neck, shoulders, tail and so on. When I finished the base of the skin I went directly to the construction of the expression on the girl's face (Verdion), in this case with some pink and fuchsia tones I...
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Today it's time for the last dragon of the evolutions, Glaciox. Join me in the brief creative process that I will share with you. As you can see in the image below, the plasticine I used was similar to gray. It was more of a mixture between white and black, without being completely mixed, as I didn't want it to be a uniform color, since I planned to paint the figurine once it was ready. Okay, with the base material ready, I started making the figurine. To begin making this bust, because it's a kind of bust, I made a shape similar to a dog's head. This is the shape I chose, because I thought it would be a good starting point to give Glaciox another unique shape that would differentiate it from all the dragon busts I've already made. After this, I continued shaping details such as the eyes, the spikes on the jaw, and also the ears, although I only placed these ears temporarily, as I had to attach the horns before permanently fixing the ears in place. The eyes, as you can see in the image below, look huge, but they will end up looking just right...
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This time, I created fanart of Chirpily and Larvie. This artwork depicts Chirpily feeding her babies, which she placed in a nest in a tree, using Larvie as bait. Larvie is terrified by the sight of Chirpily's babies trying to eat her. Can Larvie escape the threat of death before her? This artwork took me about 6 hours to create...
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First I used a pink color pencil for sketching the figure and pose of the character. This is very important why? Because this is the process where you'll be able to define the characters features trading figure and characteristic such as poses body size body height and what have you. Second, I used a black ball pen to bro a clean outline of the pencil sketch making the art clean. Third, is to pick out the right color combination for the art , after that start applying color to the art. Fourth from there onward it was a matter of the right color proportion shadow effect, values to bring out the realistic feature be more pronounced etc ...
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It's been quite some time since I last shared a fan art piece. The last one was the creation of the Team Light, and returning to this type of project reminded me how much I enjoy exploring universes that inspire me. This time I wanted to venture into a fusion within the world of Holozing: the Ocean Healer and the creature known as Tiderox. Two very different forces, but together they could give life to something entirely new. I had already created fusions with the Ocean Healer before, combining her with other creatures, but each mix feels like a whole new world of possibilities. The Ocean Healer has always conveyed to me a sense of calm, a connection with the spiritual, and a protective energy. Tiderox, on the other hand, feels quite different----an almost indomitable, powerful presence. The challenge was to merge those two essences: the softness of healing with the intensity of the colossal. After going through several ideas in my mind, I finally decided on this one...
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The first step was creating the sketch, where I outlined her pose and overall design. I wanted to capture her stance as both elegant and powerful, a balance between healer and sharpshooter. Once the sketch was ready, I moved on to the line art. Clean lines gave her shape and definition, emphasizing the firmness of her gaze and the details of her clothing and weapon. Coloring came next, where I chose a palette dominated by warm desert tones. Browns, golds, and reds set the mood of the West, while subtle highlights in her hair and eyes reminded me of her healer essence. Shadows played an important role in giving her volume and presence. They brought weight to her clothing, depth to her rifle, and emotion to her expression, making her more than just a flat drawing. Then came the highlights, which I carefully added to her hair, her weapon, and her accessories. These touches of light gave her a glowing aura, a nod to her origins as a Light Healer...
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Here I am, ending the day on #hive with a new fanart for #holozing. In this case, the first illustration is of this ice dragon named #glaciox. I wanted to make it as anatomically similar to the original as possible, but giving it a semi-realistic look, and I think the result is great. Now I'll show you the creation process...
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