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This is our curation effort that aims to curate posts that are shared in the Holozing community. These posts highlighted are the finest content that our Holozing curators submit for curation. We also encourage you to visit these blogs and show these great Holozingers your support and encouragement. Engagement is what makes the community thrive, so we hope that you are taking the time to visit each other's posts.
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Here’s my new fanart, titled “Tracking Footprints” This time, I dared to draw the forest male healer since I always draw women. I depicted him crouched in a dense forest, tracking a fire dragon’s footprints. The idea was to give him that hunter’s aura, while making it clear the dragon isn’t there to attack—but to slip away. They’re clever creatures and always outmaneuver their followers… so in the end, you never know who’s stalking whom. 👀. One thing that gave me trouble was the capture gun. I swear it was super tough—I still think it looks a bit crooked—but hey, that’s just part of the artwork’s personality now. I started with a quick sketch to define the pose: I wanted the healer to look stealthy yet analytical—hidden among branches, observing and tracking the dragon’s footprints. The first sketch always comes out all wonky with weird proportions, but I kept adjusting it until you could see the intention behind that crouching stance. It was the foundation for everything that followed. Then I moved on to laying down flat colors to organize the layers: skin, clothing, forest, weapon… This is where I should’ve fixed the capture gun—I could tell something was off but thought ‘I’ll fix it later’… and well, that didn’t happen. Next time I’ll use a 3D gun model for reference! 😅 Still, the darker...
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I haven't made any holozing related drawing in a few weeks. so i am trying to get back to drawing more and i want to keep holozing fanarts among the many portraits that i want to draw. for todays drawing i chose to draw the water healer with some waller floating around her and some shapes that should resemble the water. this was a really fun piece to draw and so i enjoyed it a lot. let me know your thoughts about this drawing...
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First I used a 2B pencil for sketching the figure and pose of the character. This is very important why? Because this is the process where you'll be able to define the characters features trading figure and characteristic such as poses body size body height and what have you. Second I used black ball pen to draw the outline of the sketch adding finer details making it more visible. I do this process before adding color to the drawing. Third I started by applying skin tone colors to the drawing. Fourth I started applying more colors to art highlighting the form and details step by step building up the coloring process. Fifth I gradually added the finishing touches to the character design. Then I added the background design for the art...
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I'm starting this Sunday early with coffee and a freshly made illustration. A new fanart of #infurnal in a style a bit similar to traditional Chinese but also in my style, a fusion of both. I really like the result. I think I created a great illustration for the #holozing community. Here, as always, I'll show you the creation process...
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I put aside some time to draw a fan art for the Holozing game, and I decided to draw the Light Healer, but with a catch: I wanted to make an alt version for her. I swapped the white with a silver-ish blue and used a slightly darker tone of the yellow to match the whole painting. Also, I couldn't swap the entire white in the canvas for that color, so I retained some of the original piece's whites, and it sorta ended up looking like she's going to activate her dark powers and her hair slowly changing color to a darker one...
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Today I decided to develop another of my ideas that I had in my sketch folder. The truth is that I have several interesting sketches that I want to develop, as long as my mental health allows me to do so. This time I decided to illustrate Emberion. Personally I think Holozing's dragon designs are great, they have very interesting concepts and it's impossible not to connect with any of them. For this illustration, I chose to keep my kawaii style, making a "baby" version of the character without losing its essence. For the coloring I used cell shading techniques with soft finishes. I also made use of textures and effects to give depth to the illustration. The background was worked as an igneous environment, reflecting the power of Emberion, as if he was surrounded by his own fiery aura.
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To begin, we find a reference image of the bird, in this case, Chirpily. Based on the image, we draw a sketch, capturing its main shapes. Once the drawing is complete, we carefully cut it out to use as a template. From the original template, we cut off the wing and tail sections to get just the silhouette of the body and part of the small wings. This new shape is then traced onto dark green foam and carefully cut out with scissors. Next, we trace the template onto light green foam. We'll only be marking the wings and the head. Then, we cut them out with scissors. Continue using the same base template, modifying it to obtain each of the bird's parts. For the white plumage on the face and belly, cut out the template, removing the parts of the wings and tail. Trace the resulting shape onto white foam and cut it out carefully. Next, create the tail piece. Use the previously cut-out tail template and trace it onto the red foam. Carefully cut it out with scissors. Finally, cut three long strips of orange cardstock into thin feather shapes...
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Yesterday I said that I was enjoying this dynamic of drawing character attacks, and today I wanted to keep it up. I like the idea that a character like this has powerful physical attacks. I liked the idea of a powerful tail strike. I looked at the characters with tails, and there were several I liked, but Glimmo seemed more robust to me, so I got the impression that a tail strike from this character would hurt more. When I started thinking about the art, I encountered a series of problems, including the fact that the character does not have a super long tail (so it must give the impression of growing when using this move). Once I had the sketch, I saw it a little more clearly. As I usually do, I worked on one part in blue and the other in red. When I do this, it's because one area of the body goes over another (so I know which is which). Once I had the sketch, I worked on the outline and then the colouring. Although I didn't stick to the original colours 100%, I think the result is quite similar...
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Yow yow yow Zingers! I challenge myself and paint digitally these two raccoons playing on tree branches. it was tiring for my hands to paint this. hope yah guys like it. I started with sketchin the shapes figuring things what wrackoo and wrackdoom poses would be at the end cleaning that up messy rough sketch and tryin to do some better and clearer lines. i decided to color wrackoo first and then Wrackdoom...
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This time, I created fanart of Noxic. This artwork depicts Noxic as a Masked Rider. You may have watched Masked Rider Kuuga and others. I was inspired by those tokukatsu shows, so I made Noxic butterfly-type Masked Rider, instead of the usual ant and grasshopper types. This artwork took me about 6 hours to create...
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