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This is our curation effort that aims to curate posts that are shared in the Holozing community. These posts highlighted are the finest content that our Holozing curators submit for curation. We also encourage you to visit these blogs and show these great Holozingers your support and encouragement. Engagement is what makes the community thrive, so we hope that you are taking the time to visit each other's posts.
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The Light Healer sits near a sunlit window, a calm expression on her face. Her soft, creamy sweater adds to the cozy atmosphere, suggesting comfort and simplicity. Her long, flowing hair is ivory-white with delicate streaks of light pink, giving her a gentle, radiant aura. The golden crown-like accessory on her forehead hints at her magical origins and her noble role as a healer of light. Her eyes are warm and amber-toned, reflecting both kindness and quiet strength. The cup she holds adds an everyday touch to the composition, making her feel approachable and human. She’s not healing with spells right now—she’s healing through rest, through being present. The open book in front of her reinforces that idea of mindfulness and gentle wisdom. I began the artwork with a clean sketch, carefully blocking out the pose and the proportions. I knew I wanted her seated in a natural, relaxed posture by the window, so I took extra care with the composition to make the scene feel balanced and grounded. Once I had the lines just right, I moved on to the inking. I used a fine digital brush to trace over the sketch, adding subtle weight variation to bring out softness and clarity...
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I was browsing for a good idea, and I saw this photo of a woman wearing a flower-shaped hat, and I was like "oh, I am going to add those to my line art tonight, LOL" As I said earlier, I was not happy with the first sketch I did, so I decided to draw another sketch, and this one is the one for me, simple yet clean. I was debating which color I should use for her flower, had so yeah pink is the one that complements her green hair, I hope I am not wrong for that. I sometimes make this complicated, but since I discovered the shape fill tool brush, adding shadows and highlights made my workflow easier, and I am happy for that. I don't want complicated things today, so I keep everything simple so that I will not feel pressure to render. As you can see, the character is getting into getting better phase, which inspires me more to render it. I like adding circle light to every character I draw, it just makes the art look more interesting and not flat...
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The first thing I did was mix a bunch of different colors of modeling clay, since I planned to paint it at the end, so the color didn't matter. I mixed the clay and got this dark green color, which I used to start shaping the character's bust, as you can see in the images below. After finishing the basic shape of the character's skull, I started working on the details. When I looked at this dragon, I always thought of an enraged bull, with reptilian features and lots of horns. With this in mind, I continued sculpting. It was a dragon, yes, just like the one I made before, but with a much larger snout, more ready to charge. I made the eyes as small as those of a bull and pointed ears like those of a dragon. Of course, being a dragon, I gave it lots of horns. The main one goes on the forehead. I thought about putting one on the tip of the nose, but I decided it looked fine as it was. I also gave it two huge horns on either side of its head, just above its ears. I didn't make them too big, so they wouldn't clash with the body, but they were still big enough to stand out...
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This is my second post about my 3D model of Drazing, and as I mentioned on the previous one, it is about the rigging process. Rigging consists of adding a 'skeleton' called Armature to a model so you can pose it; the more organic it is able to articulate each of its parts the better. It used to be a really hard thing for me to do, but with practice and recursive failed experiments I eventually learned to do it rightly (I include the Wrackoo's rigging I made as an example XD, it was one of my firsts). Most of the screenshots shown here may be a little technical for your eyes but I'll be dynamic explaining what you see, trying to add some fun to the reading. There are some funny pictures too so don't worry :D. What do you need to make a skeleton? Bones. There you see the one I used to start from scratch. After 20 minutes I made a very basic skeleton for the most important parts of the model like arms, head, tail, legs and wings. But the issues began right after applying it to the mesh. I noticed the problem with the head, it was missing the facial bones that support its structure. Imagine these are the muscles you have in your face, without them your face would fall apart by its own weight...
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I've been having more time on my hands, and I thought I'd use that to draw another fan art for the Holozing game. I've been too far away from fire affinity monsters, so I thought I'd go for a taste after so long. Hence, I chose Emberion, what's better is that it's a dragon and a fiery one at that. I liked his blue eyes, so I took them and turned them into the secondary color to contrast with the main red theme of the drawing. I also used it in the accessories she's wearing, so it's used in more places :D...
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This is another magnificent fan art done by yours truly, me! Using different color style to create a new color theory on the artwork . there's no denying it that they still room for improvement I've been busy lately my little time I had I used to create this stunning fan art of the ocean healer but there is this rush I feel whenever I create or start thinking of an exciting new art like this,so I'll do my absolute best in the future. it's always been fun for me everytime I make new art like the background, color values . Being an artist aren't easy..but am glad I am. First I used a 2B pencil for sketching the figure and pose of the character. This is very important why? Because this is the process where you'll be able to define the characters features trading figure and characteristic such as poses body size body height and what have you. Second, I used black ball pen to draw the outline of the sketch making it look more visible and clear this process is done before applying colors to the art. Third, after drawing the outline I started applying color to the drawing step by step building up the coloring process of the art...
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2 Water Healers Dive into the Ocean and Meet Sea Animals and Waller, Holozing Fanart
This time, I created fanart of the Water Healer and Waller characters. This artwork depicts two divers, the Water Healers, exploring the ocean and encountering sea animals, including a large, friendly-looking Waller. This artwork took me about 6 hours to create...
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Today, I decide to draw one of the female healers and since I’ve drawn the other two healers now it was time to draw light healer. I wanted to to portray the light healer as she is making magic. So with a sketch brush I drew the idea. My sketches are always messy. When I finished the sketch, I picked natural skin colors and started shading and highlighting her face and body. Then I went on coloring her hand and her gloves. After that, I colored her outfit and facial features. Using a texture brush I added texture on her outfit because I didn’t want it to be simple. Then it was time to draw the hair strands. After that, I worked on the magic. I tried different shapes but then ended up with this one which I think looks cool. In the end, I worked on the background and the lighting...
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Today I bring you a piece, a cheerful portrait inspired by our beloved healer ocean. During this time, I felt insecure when approaching characters, especially in portraits with the new peripheral. I had trouble trusting the fluidity of my strokes, wondering if I could convey sensitivity with each line, with each expression. However, I wanted to continue and give myself a chance. I took a deep breath and let the illustration flow. The result surprised and delighted me, because beyond the technical aspects, I felt that I was able to give shape to an energy that I wanted to share with you. I hope you like it as much as I do! I started working on the sketch and wanted a warm expression, a gentle smile, and eyes that conveyed peace. It was difficult to find the perfect stroke, but little by little I loosened up my hand and let myself be guided more by intention than perfectionism. With the sketch clean, I began to define the face and hair. This is where I got most excited, because I felt the character's personality begin to come to life. I focused on working with layers to add...
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This time I decided to create an anime-style illustration of Miu Miu, the evolved form of Miu. Miu Miu is fierce, adorable, and full of personality — she has this blend of elegance and mischief that instantly caught my attention. I knew I wanted to push her concept further and imagine what she’d be like in a humanized female version. Designing Miu Miu was an adventure in itself. I wanted to maintain the essence of her original form — her wild, determined expression, her fluffy tail, and that overall “don’t-mess-with-me” vibe — while translating it into a more expressive, human-like style. I found it incredibly rewarding to bring her personality to life in this new version. Designing Miu Miu was an adventure in itself. I wanted to maintain the essence of her original form — her wild, determined expression, her fluffy tail, and that overall “don’t-mess-with-me” vibe — while translating it into a more...
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