FORGOTTEN
What have we become? shadows
Silentstanding,
Waiting for something to be,
For prayers to become miracles,
For some sort of pat our
Onshoulders saying; going
Match on, it'sto be fine?
But we do not really know
What it is we seek,
Or who we truly are, do we?
This air leaves us breathless fall
As we, broken
Likeangels like
Shimmeringa mirage, something
Likeunsure existence
Of its own, slowly
Like adescending leaf lost
That hasitself
In the wind for too long
And doesn't know the way
Back home.
We do not know name
Thefor pain it
So we callfather, and
Husband, boyfriendfriend. forgotten
We havehow scars
To remember, we
Sohave named them
Love bites, scratches,
And feverish kisses. cannot
Wename depression, call
So wehim meditation,
Alone time, tiredness, rest.
In this place, truth
Whereis a lost cry, suffocating
Crushed throat
Around the brutal hands of need, rise
How do we? we
How dofind ourselves,
Remember our names names
And theof things? forgotten
For we haveeven names
Our own
And all we remember is
You.
THE CREATIVE PROCESS
This is my second time experimenting with the poem within a poem style. If you follow poetrymano on instagram you will know of the redacted style of creating poetry. I know it has more formal name, this style, but it is 4:44am in the morning and it is cold. Absolutely not a conducive environment to start thinking of the name of a writing style and I absolutely detest using google to find stuff like this.
Anyway, the style involves redacting words and sentences from a text and in that manner create new sentences and meaning. Redaction on its own, is popular among government ran security agencies who think certain information are not suitable for public consumption and as a result, they tend to black out certain phrases, sentences, paragraphs and words from documents which they consider sensitive.
Since I could not redact words here, I decided to create the experience and at the same time give us a poem within another poem. I think the visual experience is awesome and the possibilities for deriving meaning is endless. The poet can play with words and meaning in more ways with this technique. I will call this technique the Steemwarping technique for the sake of fun. 😂
I first used this technique in an old poetry post, MY NIGHTMARE. In this poetry piece, I focused more on creating images with markdown and words but you will still see a little of the steemwarping technique.
THE CODING
To achieve the steemwarping technique, I made use of several markdown codes. You can see it from the screenshots below. Take notes of the codes and the spacing. This is very important.
If you miss a single code, something will go wrong and sometimes it won't be something you'd be quick to identify, so go through the editing again and again until you are sure.
It may seem to be too much trouble but the end result is worth it and it's poetry. Well that is how I create my steemwarping technique.
Screenshots are shots of my steemit editor taken with my phone, Infinix Hot5 Lite.
©warpedpoetic, 2018.