You get, like, you start getting fucking achy for no fucking reason at all, you know. It's like fucking just, or you accidentally move too fast and pull a muscle, you know. I feel you on that.
Look, I'm 35 now, bro. I better start dealing with pain. The other day, I injured myself tying my shoe.
I'm like, what? What just happened? My back just spasmed. I'm like, fuck, I'm old. Yeah, I think I pulled out my elbow, I mean, my shoulder the other day, like, reaching for some milk.
Okay, so there you have it. Oh, man. But I hope everything's been well.
I know you said you were going to take some time to, like, focus on music. So, I hope your creativity is flowing now. Yeah, I wrote the prostitute song, so.
Oh, shit. It's not, it's not ready. I mean, like, it is ready, but it's not ready.
It's like, it's still, like, fluid. You know what I'm saying? Like, when you write a song, I'm sure, like, some people in here know this. When you write a song, that song is actually very fluid for a couple weeks.
It changes. It evolves and stuff, you know? So, I'm just in that fluid state with this. It's called, um, Call Lola's Game.
And it's about, uh, it's a conglomerate of three or four different prostitutes that I knew through my, you know. Or, not, okay, they weren't all prostitutes. A couple of them were just whores, you know, so.
I'm so sorry. Sorry. So, the song's not on the street yet.
I haven't played it for anybody. No, I just, I've played it for myself about 3,000 times, and I'm so sick of it already. And it's stuck in my head, and it's like, whatever, you know, so.
I was thinking about playing it tonight, but it's just too, I, I don't know, it's too. I tried playing it a while ago, and I'm like, I just, it wasn't even sounding the same as it did earlier today, you know? Like, I don't know. So, we'll see.
