This wasn’t just a lunch walk to the beach. It turned into a small experiment with color and perception.
I brought my Sony FE 70-200mm f/2.8 GM OSS II, which immediately changes the way you see a crowded place. With that focal length, you don’t enter the scene — you extract fragments from it. You compress distance. You isolate emotion. You decide what matters.
The first frames from this walk are black and white. Not because the beach lacks color — quite the opposite. Midday tropical light is brutally saturated. Sand glows, skin reflects, umbrellas scream with color. So I stripped it away.
In black and white, the beach becomes about geometry and weight. Bodies against water. Lines of buildings fading into haze. Waves cutting through foreground shadows. Without color, the noise disappears. What remains is structure and mood.
Then comes the couple.
The girl in a light dress being photographed by her boyfriend. For these images, I almost removed the color — not fully monochrome, but close. I wanted the scene to feel muted, as if the heat drained the tones out of everything. The beach behind them was busy, chaotic, loud. By reducing the palette, I pushed attention to posture, gesture, distance between them. The emotional space became more important than the environment.
And only after that — full color.
Vendors, fabric, palms, movement. I let the tones breathe again. Reds became red. Greens became dense and heavy. Skin picked up warmth. The contrast between the earlier restrained frames and the later saturated ones creates rhythm across the series.
The most striking moment was the woman in the red sequined evening dress walking barefoot on the sand. In color, that image needed no exaggeration. The dress already carried enough energy. Her tattoos, the texture of sequins, the late-day warmth — it all worked because the earlier frames had been restrained.
For me, this walk wasn’t about documenting the beach. It was about control. Removing color. Softening it. Bringing it back. Letting the viewer move from minimalism to intensity.
Sometimes a simple lunch break becomes a study of light, compression and discipline. And a 70–200mm lens turns everyday chaos into deliberate fragments.
I write my texts myself, correct mistakes and translate via ChatGPT (which is not a violation on Hive)!
All photos were taken by me personally - I am a beginner photographer, so I ask professionals not to judge strictly.
Thank you for sharing these moments with me! Until new stories and new holidays! ✌️.
Camera 📷: Sony Alpha 7 IV full-frame
Lens 🔭: Sony FE 70-200mm F: 2.8 GM OSS II
Lens 🔭: Sony FE 90mm F2.8 Macro G OSS
Lens 🔭: Sony FE 24–70mm f/2.8 GM II
Processed 🛠: Lightroom
photo by openai
