Looking for a Cure.

I flew toward the shipyard as Miles to help Peter and recreate the bell's sonic frequency using a phone app. I located resonant objects, powered a hanger with Venom electricity to record echo sounds, and chased a helicopter for low frequencies. After completing the audio mix, an unexpected symbiote horde ambushed me.

I flew through the air as Miles, heading straight toward the shipyard to help Peter with the growing crisis. Peter seemed confused since he did not see what was coming, so Miles knew he had to step in and find a solution fast.

On my way there, Miles came up with a smart idea to mix different sonic frequencies into a phone app. He remembered how much the church bell sound had hurt the symbiote when Peter was trapped inside it, so recreating that specific noise seemed like our best chance against Harry's growing army.

When I finally arrived at the shipyard, I immediately began searching for resonant objects that could produce the high frequencies I needed. I swung around the area and scanned the surroundings until I located a massive echo chamber that looked like it would come in handy.

After analyzing the space, I spotted a small bell, but I realized I needed to move a boat into the hangar to get the right acoustic effect.

I looked around for a good sound source and noticed a heavy metal container hanging nearby. I figured that dropping it from a high place would create a strong resonance, so I webbed it and let it crash down.

The impact created a perfect sound source, and I recorded the initial audio track right away. Before I could celebrate, several symbiotes suddenly appeared to interrupt my work. They tried to stop me, but I was more than ready to fight them off and show those monsters who was really in charge.

I took out the first wave of enemies, making sure to protect the people trapped inside those dark suits. After clearing the area, I resumed my search for the remaining sound frequencies.

I realized that to get a strong echo from the bell, I needed to power up the hangar engine. I moved closer to the control system and used my Venom power to surge electricity directly into the engine. The power kicked on, swinging the bell and creating a powerful, deep echo through the hangar.

Miles recorded the super echo, but I still needed one last low-frequency pulse to finish the sonic mix.

Miles saw a helicopter flying by and he realized that helicopter blades produce the exact rhythmic sound pulse he was looking for. Right on cue, a chopper flew overhead, so I quickly swung up into the sky to give chase.

I carefully matched its speed, glided alongside the spinning blades, and captured the final audio frequency I needed for the app.

Just as I finished assembling the complete sonic mix, a huge horde of hungry symbiotes suddenly ambushed me from all directions, leaving me confused about where so many of them were coming from.