Neo-noir films are not many in Sandalwood and the limited time material of Kavaludaari guaranteed something for fanatics of this sort. Executive Hemanth M Rao demonstrated he is a decent storyteller with his presentation highlight Godhi Banna Sadharana Mykattu. In this way, the desires were naturally higher, add to that the way this is the primary film from Puneeth Rajkumar's new pennant, it expands it by two folds. Kavaludaari does satisfy the publicity and desires.
The film unfurls with a homicide scene during the 1970s, with sporadic visuals. From this scene, one is transported to display day, where a traffic cop is seen trying to wear full khakhi and get an exchange to the wrongdoing office. While these expectations see no fulfillment, he unearths a homicide case that stirs the wrongdoing comprehending cop in him. He sets out on the chase for the executioners, which drives him to discover an accessory in a resigned, alcoholic auditor, who was initially the researching officer all things considered. As they proceed onward the trail, the case presents numerous turns and turns.
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