Recently, I painted a portrait of @amberjyang. I did the work in oil on archival quality Strathmore oil paper. The painted area measures about seven by eleven inches. Below you can see the sketch where I begin to lay the first bits of color down.
For the last couple of years, I've mostly been painting so-so abstracts and messing with AI art, so my skills felt rusty. The initial brushwork wasn't coming out great, so I switched to knife painting, and that didn't really help. When the piece got to the point illustrated below, I was ready to scrap the whole thing and pretend the project never happened.
Instead of scrapping the project, I persisted. Fortunately, oil paint is very forgiving. So I worked on it slowly, here and there, and eventually got the work to a point I was happy with. The reference photo I used included a tree into which the word 'Evolve' had been carved, so I made that stand out and tried to keep everything balanced by using a limited palette. Though technically imperfect, I love the energy that came through in the painting's final form.
Over the years, I've painted several friends. Some portraits, some figures, one action scene involving gardening. But this work stands apart because it was painted without the subject's knowledge. That meant it was a total surprise when I showed it to @amberjyang. When the time came to do that, I felt acutely self-conscious, like maybe it was too much, or was the kind of thing that's better in the imagination than in real life. I didn't really know what to expect, but she liked it, and there wasn't any awkwardness. When the work dries, I'll be sending it to her so she can see it in person.
All things considered, I consider the portrait an artistic success.
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