origin : https://en.wikipedia.org/wiki/Gim_Hongdo
Gim Hong-do (김홍도, b. 1745, d. 1806?-1814?), also known as Kim Hong-do, most often styled Danwon (단원), was a full-time painter of the Joseon period of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting, even if he is mostly remembered nowadays for his depictions of the everyday life of ordinary people, in a manner analogous to the Dutch Masters.[1]
Short biography[edit]
Danwon was a member of the Gimhae Gim clan. He grew up in present-day Ansan, South Korea. At the age of 7, Gim Hong-do studied under the renowned master Pyoam Kang Se-hwang, who was then living in seclusion in Ansan.[2] In 1766, at the age of 21, on the recommendation of Kang Sehwang,[3] he entered the royal service as a member (hwawon) of the Dohwaseo, the official painters of the Joseon court. In 1771, he painted the portrait of the Royal Heir (the future King Jeongjo). In 1773, he assisted Byeon Sang-byeok when painting the Royal Portrait of King Yeongjo (1694–1724–1776).
In 1776, he painted the "Nineteen Taoist Immortals", that skyrocketed his reputation as a painter. At the same time, the new instated King Jeongjo (1752–1776–1800) commissioned him for many institutional paintings.
He died in loneliness and poverty, though the circumstances, and even the year are unknown. Sources are guessing 1806?,[4] circa 1810,[5] after 1814.[1][3]