Two thousand twenty-sixth will be something new and unusual for me. So the moment of change in my life has come, another exit from the comfort zone, associated with a small change of place of work, but not a change of activity.
I'm still a photographic photographer taking pictures of everything around me.
Only the mode of operation, complexity, and responsibility will change.
I don't even know how it's going to be yet, but for the first time I see a strict separation of the reportage world from all other genres.
Now it became clear to me why I had been training in the reporting genre for a couple of years, trying to connect to this wave, learning how to work with it.
Now I will need to apply this skill in my work: to connect to the reporting world at the click of my fingers and also quickly disconnect.
For the blog viewer, this will be more of a plus: there will be more creativity in my posts, more spiritual worlds.
For the blog reader, there may be a disadvantage: there will be more philosophical metaphysical topics that are understandable and interesting to a small circle of people.
And for the first time, I was prepared for such a development, as I was able to anticipate and calculate the cycle.
After a certain number of years, some key events happen to me that turn my life around...or they shake it very hard.
....About the spotted street: this time I got a lot of rhythms and orderly patterns.
But this is still a spotty principle, as it reflects detailed maximalism, which can be both chaotic and orderly.
The graphics can also be different and have a lot in common with spotting.
It's just that graphics are more about the inanimate, and spotting is about human interaction with graphics.
It turns out that the spotted principle (or spotted street) = street+graphics.
The question arises: isn't there graphics and formalism in the street?
In a regular chart, even if it is present, she lives there separately, in isolation. And in spotting, the person or people themselves become part of the graphics. I've said before that people become inanimate spots, part of a pattern.
