Frosty evening scenes are best shot on the busiest streets (like, in principle, all the others). After all, it is people and machines that create that very atmosphere.
It won't be possible to show frost as a fact on deserted streets.
Or you need to go to a remote village where the stove heating is still preserved and try to film the smoke from the pipes.
It turns out that frost is quite limited in the plot plan.
Rime does not always mean severe frost.
On these frosty days, there was no hoarfrost at all, and the temperature was below twenty-five.
And if there are people in the frame, then shooting only with hands on high ISO...
In general, to complete the picture of a frosty week, scenes at night should be available.
If we take the entire winter season and select the brightest moments that characterize this particular winter, then I have more than ever widely and variously reflected the whole essence of this difficult winter.
But it's not over yet...
