In this page Rosie makes her getaway through the dumbwaiter in the back while workers work fast to hide liquor from the cops. This is another page that is going to change fairly dramatically, perhaps even as early as the pencil stage, because I actually want the black void at the bottom to be a roiling mass of eyes and tentacles. I really want to play up the degree to which Rosie is existing between the world of the present and the shifting psychedelic realm of The Loom.
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