Salvator Dali a genius of Earth or an alien? Many ask the question: where could Salvator Dali draw his inspiration? Of a life outside our planet? Or of a vivid imagination? I took her photos in 2015 in an exhibition dedicated to this artist. I have frozen some images showing us some of his works. All in his art shows us a quirky side, he could have participated in the creation of science fiction universes offered to cinema today.
I chose this first image in presentation because I like what it shows us (space and time). This creature could be the master of time by its posibility to see in the past the present and the future. Its role is not to influence this notion but to keep it in balance.
Frame
The origin of the Rhinoceros comes from this animal, naturally armored by an Orichalcum armor, this one is indestructible and can live up to 3,000 years only the old age comes to the end of this mastodon, once the animal died its armor was use to craft light and indestructible armor.
Back to the master of time
Strangely, I did not find the photo of this magnificent sylvarie, woman who is protected by a vegetal breastplate hiding and protecting her
The tool used by the Sylvaries to predict the future. A drop of oil from the abisses of Kertas encronize by an eltrinium module. The sylvaria uses these two objects to predict the future, no one knows how they were able to link these two elements (element that they found to be spaced in the universe at 100,000 light years from each other) and succeed to incronize them and create the prediction.
The master of time has seen me and you see him, he knows for us and also knows for the others his eyes only wink when they wish to see in another space time.
He can all see at the same time. A story tells that he is the origin of time and non-time and that without him space would not be.
The representation of a gendarme, unfortunately I have no theory on this work.
The mermaid man, on his planet the mermaid man lives in 3 dimensions at the same time is why there is no face, that he is made up of a single leg with two feet and that are torce is made of Mithril brick.
The snail of light. This animal is part of the life of all extraterrestrial civilizations in the constelation of Capricorn. It supplies energy to all means of travel. The energy it produces in one second corresponds to the energy consumption of all humans on our planet
You can see the master of time with his time stick and the entry at the bottom right which allows anyone who wishes to travel in space time but with no possible return.
The sculpture
Sculpture remained anecdotal for a long time in Dalinian creation156, with rare exceptions, such as Scatological Object with Symbolic Functioning (1931) or the Rhinocerontic Bust of the Lacemaker by Vermeer (1955). He returned to three-dimensional creation in the 1960s, and especially the 1970s, with the creation of the Teatre-Museu Gala Salvador Dalí: Bust of Dante (1964), Chair with Vulture's Wings (1960), Lilith. Homage to Raymond Roussel (1966), Napoleon's funeral mask that can be used as a cover for a rhinoceros (1970).
Salvador Dalí said that as a child he made a modeling of the Venus de Milo, because it appeared on his box of pencils: it was his first attempt at sculpture157. As early as the 1930s, Dalí tried his hand at the third dimension with surrealist objects. He created with Giacometti59 objects with a symbolic function, Bust of a woman retrospective. Bust: bread and inkwell, by assembling a painted porcelain milliner's fad with various other salvaged objects (1933). In 1936, Marcel Duchamp and Salvador Dalí collaborated to create the Venus de Milo with drawers.
From this period dates the realization of bronze sculptures made from his most famous paintings, such as The Persistence of Memory, the Profile of Time, the Nobility of Time, Venus with the Giraffe, The Hallucinogenic Toreador, The Space Venus, Alice in Wonderland, The Space Elephant, which bear witness with extreme vigor to the expressive force of his surrealist iconographic images.
Dalí made his first jewelry after World War II in New York: The Eye of Time (1949), Ruby Lips (1950), The Royal Heart (1953).
Between 1969 and 1979, Salvador Dalí produced a collection of 44 bronze statues, printed in 4 copies: Collection Clot de Dalí.
Link
Nikon D5500
F/3.5
ISO-100
18 mm
All original photos @Cyboule.
