As part of my plan for a total switchover from object-based art to authentication of virtual representations in a genesis and sequence status base that art is in the blockchain world, I've set in motion

The most obvious use-case for blockchain is as an estate planning device. The “declaration” of that, as also a medium for the art in is based on everything; art included; having a record on the Internet

I have a sweet piece of waterfront real estate with road frontage on the main route to the artists colony of Woodstock, New York. Over the past two decades I've thoroughly blocked that off from the road

A “process work” is now filling with memes for all Woodstock'94 tags that have production stats. This is leading up to the first “great giveaway” of epoxy prints during the walk-through of the Great Knot

Lets agree that 150 categories of a single class of object distributed as 55,000 unique instances, as possessions, is enough collectively to form a common identity. From the perspective of both Internet

Making a comparison between minor properties that populate the Internet now; with value that may find its way into the Wills of their builders; and the art of digital objectivism with its origins in a

A Will and a digital publication have a lot in common, save one important difference; about the only statement an individual makes that must be publicly recognized as valuable, in their entire lifetime,

The challenge of building an Internet record is not a first rodeo for many of us. I became an advocate of blockchain as soon as I understood its decentralized way of keeping things up on line, indefinitely.

The composition that was created in twelve posts in Medium proposes, in the early posts, an experimental Distributed Autonomous Organization (DAO) using available social media interactivity norms that,

With the theme of the Patreon page set on participation in the narrative of the challenge is now to get all 150 Woodstock'94 tag runs represented as memes and placed in posts here on Steemit so their

The Woodstock brand, in its 50th anniversary year, finds itself needing an argument on its origins that it as an enterprise shouldn't need for a context. This half century of technological progress has

The Woodstock brand, in its 50th anniversary year, finds itself needing an argument on its origins that it as an enterprise shouldn't need for a context. This half century of technological progress has

There are plenty of off ramps on the Internet road map. Artists must see their road map as a way made by finding what these destinations offer. The impulse to investigate the mechanisms in the background,

In the past year a blockchain artwork has been planned and, over the past several months, explained in a series of 12 posts on Medium.com. A mobile-friendly, quick download at has the complete text with

The production process for Woodstock tags like the one shown here anticipated the concept of a blockchain twenty five years ago when the combined purchases of over 150,000 unique physical identities with

The tag image in this post is creating an entry level use case for the Post Internet art the knots represent in the theme of these Steemit posts. There is little chance that either of these opportunities

The tag image in this post is Post Internet art formatted to play a part in the disruption of natural assumptions of value. Artworks that, by nature of their “look” as “meme”, are process-oriented to the

The tag image in this post does not just perfectly fit into recent trends, but opens the door to the use case that this Steemit blog shows to be light years ahead in relation to reliance on physical origins.

The tag image in this post is from a system that assures that value is attached to identity. It is one of a series of 289 impressions with the arrangement of colors you see in this one sequentially different

This campaign is about raising awareness of this convergence of technologies with the coincidence of the Woodstock 50th anniversary by summing up these collectibles as indicators of what is valuable as