The tag image in this post is Post Internet art formatted to play a part in the disruption of natural assumptions of value. Artworks that, by nature of their “look” as “meme”, are process-oriented to the digital world; to be comfort food to the Internet-oriented mind; are made to look like an advertisement to convey a message like: Is this tag a memory? or, Is the tag computer generated? (it's not) so the context doesn't match the message.
Steemit's lone use is to place the sequential illustrations of these posts into a blockchain and interpret the value attached to modules 405, 406, 407, 408, 409, 410, 411, and 412, in the illustration of the knot shown here, as the Cryptoknot protocol's part in a methodology that is learned about in relation to the Woodstock collectible on https://www.facebook.com/michaelsullivan.smith/posts/1208899475933590, and in the daily posts on https://twitter.com/MSullivanSmith.
A mainstream platform's association with the concept of uniquities is what is being used to build the cryptoknot concept. The numbers now are strictly used to digitally identify the place this knot falls within the mechanics of a registry. This is put in plain language that now references the physical differences in each of the tags for the Woodstock'94 collectible due to the method of their manufacture.
The numbers of modular squares are the Cryptoknot protocol's standard for describing a specific knot. This was invented as a means of authenticating a knot when distributed designing becomes the way a new knot is created in the context of the White Paper of the http://www.greatknot.com website. When this distributed creativity goes into effect the cryptocurrency assignments in will be issued.