Ever watched a pro play? Did you get the feeling that he/she was merely stretching lazily on the backswing – without expending any effort whatsoever? There’s a reason almost all pro swings look that way. It is called SYNCHRONIZATION. It works something like this:
Too often, amateurs swing their arms faster than they initiate their shoulder turn. Or the reverse – they aggressively turn their shoulders with the arms lagging behind. And almost without fail, most amateurs will overswing (arms) , under-turn (small shoulder turn) – or a combination of the two.You will never see a pro do that – A pro starts turning her shoulders just as the left arm starts swinging the club back. Everything together!
Surprisingly, your LEFT elbow (and your right foot) have a lot to do with executing this ‘synchronized’ turn.If your left elbow keeps pointing to target (as a lot of misleading instruction will suggest), your shoulders will turn on a flat plane. In order for your shoulders to turn on an inclined plane (around your spine), your left elbow NEEDS to point downwards (more accurately, at the target line). Not only will this turn the shoulders on the correct plane, the left elbow will help UNITE your shoulders and your arms. You should feel more connected as you turn back – which will help you synchronize the arms with the shoulders.
At address, the club shaft rests between your arms (i.e. it is not outside either the left or the right arm, it is somewhere in between).The club needs to continue staying between the arms even on the backswing! Keeping the club between the arms will force you to synchronize your shoulder-turn and your arm-swing. If either one tries to overtake the other, the shaft will no longer be ‘in between the arms’. This is a key backswing thought, that in itself, will help straighten out your shots. On the top of the backswing, your shaft should be almost bisecting the two arms (dead center of both arms).See Jack Nicklaus demonstrate this below:
It is difficult, if not impossible, to keep everything in sync if you are constantly losing your balance. Keeping your balance essentially means keeping your right foot planted, as your upper body executes its turn. Keeping the right foot planted on the backswing (and the first part of the downswing) – is something that every pro works on. This RIGHT foot planted is a little difficult to achieve for amateurs. I found a good tip on youtube – essentially, place an alignment rod on the ground – running perpendicular to the target line. Place your right foot on this rod – and swing back, keeping your right foot on the rod. If you can keep your foot from rolling off the rod, you will be a step closer to keeping it planted on the backswing and downswing.
Several of my coaches asked me to PAUSE on the top of the backswing. This momentary pause need not be an ACTUAL pause – it just needs to be a MENTAL pause. You just need to signal to your brain that the backswing is complete. As you develop a sense of coordinating the arms (swing) with the shoulders (turn), you will find this ‘completion point’ to be an important aspect of the backswing. This ‘top of the backswing’, will help you sense if the arms and the shoulders are actually completing the backswing in unison.This ‘simultaneous completion’ is what you are aiming for – and what every pro executes perfectly on every swing. This is also what makes the backswing look effortless.
If you can co-ordinate your arm motion with your shoulder motion, you will find yourself making a simple and efficient backswing. You will notice that your arms stop swinging at the same time as the shoulders stop turning. This primes you perfectly at the top; from here the downswing should be automatic. However, a good swing thought is to start your downswing in ONE PIECE as well.
OCTOBER 16, 2016BY GOLF TIPS5 MIN READ2 COMMENTSEver watched a pro play? Did you get the feeling that he/she was merely stretching lazily on the backswing – without expending any effort whatsoever? There’s a reason almost all pro swings look that way. It is called SYNCHRONIZATION. It works something like this:
Too often, amateurs swing their arms faster than they initiate their shoulder turn. Or the reverse – they aggressively turn their shoulders with the arms lagging behind. And almost without fail, most amateurs will overswing (arms) , under-turn (small shoulder turn) – or a combination of the two.You will never see a pro do that – A pro starts turning her shoulders just as the left arm starts swinging the club back. Everything together!
Surprisingly, your LEFT elbow (and your right foot) have a lot to do with executing this ‘synchronized’ turn.If your left elbow keeps pointing to target (as a lot of misleading instruction will suggest), your shoulders will turn on a flat plane. In order for your shoulders to turn on an inclined plane (around your spine), your left elbow NEEDS to point downwards (more accurately, at the target line). Not only will this turn the shoulders on the correct plane, the left elbow will help UNITE your shoulders and your arms. You should feel more connected as you turn back – which will help you synchronize the arms with the shoulders.
At address, the club shaft rests between your arms (i.e. it is not outside either the left or the right arm, it is somewhere in between).The club needs to continue staying between the arms even on the backswing! Keeping the club between the arms will force you to synchronize your shoulder-turn and your arm-swing. If either one tries to overtake the other, the shaft will no longer be ‘in between the arms’. This is a key backswing thought, that in itself, will help straighten out your shots. On the top of the backswing, your shaft should be almost bisecting the two arms (dead center of both arms).See Jack Nicklaus demonstrate this below:
It is difficult, if not impossible, to keep everything in sync if you are constantly losing your balance. Keeping your balance essentially means keeping your right foot planted, as your upper body executes its turn. Keeping the right foot planted on the backswing (and the first part of the downswing) – is something that every pro works on. This RIGHT foot planted is a little difficult to achieve for amateurs. I found a good tip on youtube – essentially, place an alignment rod on the ground – running perpendicular to the target line. Place your right foot on this rod – and swing back, keeping your right foot on the rod. If you can keep your foot from rolling off the rod, you will be a step closer to keeping it planted on the backswing and downswing.
Several of my coaches asked me to PAUSE on the top of the backswing. This momentary pause need not be an ACTUAL pause – it just needs to be a MENTAL pause. You just need to signal to your brain that the backswing is complete. As you develop a sense of coordinating the arms (swing) with the shoulders (turn), you will find this ‘completion point’ to be an important aspect of the backswing. This ‘top of the backswing’, will help you sense if the arms and the shoulders are actually completing the backswing in unison.This ‘simultaneous completion’ is what you are aiming for – and what every pro executes perfectly on every swing. This is also what makes the backswing look effortless.
If you can co-ordinate your arm motion with your shoulder motion, you will find yourself making a simple and efficient backswing. You will notice that your arms stop swinging at the same time as the shoulders stop turning. This primes you perfectly at the top; from here the downswing should be automatic. However, a good swing thought is to start your downswing in ONE PIECE as well.
