Hello to all the gamers at 
We begin with a flashback scene, or perhaps a moment of introspection. Jodie, now an adult and in a desolate environment, talks about her ability to see things no human has been able to see before. Imagine that, living with a perception that tears reality apart. She describes it as total chaos: everything is confusing in my mind: the images, the sounds, the smells. It's a torrent of sensory information that overwhelms her. From the outset, the tone is one of loneliness and confusion. And the close-up of that scar on her eyebrow confirms that what she's experienced hasn't exactly been a fairy tale. Then the scene changes, and we go back. We meet Nathan, the man who will become her father figure, mentor, and, at the same time, the scientist who studies her. He's at a police station, talking on the phone about the girl. Nathan recalls how he found her, after what was clearly a horrible car accident. His concern for the girl is genuine, but it's also tinged with the curiosity of a researcher faced with an anomalous phenomenon.
He tries to talk to her, to get a name out of her, to see if she has any family, but Jodie, silent and in shock, is uncooperative. She sits in a corner, drawing, lost in her own world. Nathan shares his frustration with his military or agency contact, but then notices something crucial that's holding him back: a scar. He notices it, but what really shocks him is that, despite her silence, she senses the presence of those who are waiting for her to arrive. And this is where the real action begins. Nathan, alarmed, speaks to them, the military, saying he has to stop them and then cursing them, calling them fucking idiots. Everything goes dark, and we hear a panicked scream from the girl, mixed with gunshots outside the room. Nathan despairs.
There's a huge time jump, and now we're with a young Jodie. We see her sitting in a research center room, playing alone at a desk. Nathan enters and, with that adult tone that knows he's coming up on the difficult part of the day, interrupts her by saying it's about time. What follows is a ritual of preparation for the experiments. I love how Nathan tries to normalize it, talking her into putting on the EEG machine, telling her it's like a crown and that she looks like a princess. But the tension is palpable. Jodie is scared. Nathan calms her. It's Nathan's eternal conflict: the love of an adoptive father versus the duty of a scientist.
And then, off to work. Or well, to test. The first is a card-reading exercise with a man named Carlin. Carlin is the test subject in the next room. It's the first time her connection with Aiden has been tested in a controlled way. It's a mental challenge, trying to guess which card Carlin chose. We see how Jodie concentrates, using her inner power so Aiden can see what the human eye can't. It's a three-card challenge. We see the divination process, the initial frustration, and the concentration on the next attempt. This exercise is designed to demonstrate the psychic connection between Jodie and Aiden.
The next test is the one I find the most fun and the one that makes clear Aiden's destructive, or at least telekinetic, power. Nathan asks her, "Do you think you can knock them down?" referring to some blocks on the table in the adjoining room. And of course, Jodie does. We see the blocks fly, pushed by an invisible force, which is Aiden. It's the first pure gameplay of her powers. Little Jodie, sensing Aiden's power, gets excited and looks for more things to move. She tries to move the bedroom door, but it's locked, a moment that marks the first barrier or limitation to her power, or perhaps the first time we see her frustrated in her attempt to escape. She insists, but Nathan stops her with a sharp nod. This segment is fundamental because it shows you the origin of their relationship: Jodie is a tool to be studied and exploited, but she is also a girl who longs for a normal life. The frustration and boredom are seen on her face when she takes off her princess helmet. It's a cycle of trials that seems never-ending for her. !
Another time jump. From the scared little girl, we move on to a teenager in a formal dress, uncomfortable and out of place at a high-class reception, full of diplomats, politicians, businessmen, and spies. Jodie feels exposed, feeling like everyone is watching her. The man accompanying her tells her she's not a sensation; everyone is looking at what's most important, and instructs her to pretend, to act natural. When an assistant approaches her and flatters her, she can barely respond gracefully. The plan is revealed when the man tells her, "I'm going to say hello to some people... find a quiet place. You know what you have to do." !
Jodie slips away, navigating the crowd. The scene is pure stealth, slow-moving, searching for that quiet spot in an environment of potential danger. Finally, she finds a bathroom. And this is where the mission is finalized. Speaking via communicator with Hayden, she receives crucial instructions. The voice tells her, "There's a large painting in one of the upstairs rooms, behind the safe. The documents we're looking for are inside, but there are guards and cameras, so you must be careful." It's a robbery, not an experiment, but more of an espionage operation. It's confirmation that her life as a lab child has escalated to that of a military tool.
Hola a todos los gamer de
Empezamos con una escena de flashback o quiz谩s un momento de introspecci贸n Jodie, ya adulta y en un ambiente desolado, habla de esa habilidad que tiene de ver lo que ning煤n humano ha podido ver antes. Imag铆nate eso, vivir con una percepci贸n que desgarra la realidad. Ella lo describe como un caos total todo es confuso en mi mente, las im谩genes, los sonidos, los olores. Es un torrente de informaci贸n sensorial que la supera. Ya desde el inicio, el tono es de soledad y confusi贸n. Y el primer plano a esa cicatriz en su ceja nos confirma que lo que ha vivido no ha sido precisamente un cuento de hadas. Luego la escena cambia, y volvemos atr谩s. Nos encontramos con Nathan, el hombre que se convertir谩 en su figura paterna, mentor y, a la vez, el cient铆fico que la estudia. 脡l est谩 en una estaci贸n de polic铆a, hablando por tel茅fono sobre la ni帽a. Nathan recuerda c贸mo la encontr贸, tras lo que claramente fue un accidente de coche horrible. Su preocupaci贸n es es genuina por la ni帽a, pero tambi茅n est谩 te帽ida con la curiosidad de un investigador ante un fen贸meno an贸malo.
Trata de hablar con ella, de sacarle un nombre, de ver si tiene familia, pero Jodie, silenciosa y en shock, no coopera. Se sienta en un rinc贸n, dibujando, sumida en su propio mundo. Nathan comenta su frustraci贸n a su contacto militar o de la agencia, pero luego se da cuenta de algo crucial que lo detiene, una cicatriz. La nota, pero lo que realmente lo impacta es que, a pesar de su mutismo, ella siente la presencia de los que esperen a que llegue. Y aqu铆 es donde empieza la acci贸n de verdad Nathan, alarmado, habla con ellos, los militares, diciendo que tiene que detenerlos y luego los maldice, llam谩ndolos malditos idiotas. Todo se oscurece y o铆mos un grito de p谩nico de la ni帽a, mezclado con disparos fuera de la habitaci贸n. Nathan se desespera.
Hay un salto temporal enorme, y ahora estamos con una Jodie ni帽a la vemos sentada en una habitaci贸n de centro de investigaci贸n, jugando sola en un escritorio. Nathan entra y, con ese tono de adulto que sabe que toca la parte dif铆cil del d铆a, la interrumpe diciendo que ya era hora. Lo que viene es un ritual de preparaci贸n para los experimentos. Me encanta c贸mo Nathan intenta normalizarlo, habl谩ndole de que se ponga el aparato electroencefalogr谩fico, dici茅ndole que es como una corona y que parece una princesa. Pero la tensi贸n es palpable. Jodie est谩 asustada. Nathan la calma. Es el eterno conflicto de Nathan, el cari帽o de padre adoptivo contra el deber del cient铆fico.
Y entonces, a trabajar O bueno, a hacer pruebas. La primera es un ejercicio de adivinaci贸n de cartas con un tal Carlin. Carlin es el sujeto de prueba que est谩 en la habitaci贸n contigua. Es la primera vez que se pone a prueba su conexi贸n con Aiden de una forma controlada. Es un desaf铆o mental, intentar adivinar cu谩l carta eligi贸 Carlin. Vemos c贸mo Jodie se concentra, usando su poder interior para que Aiden pueda ver lo que el ojo humano no puede. Es un desaf铆o de tres cartas. Vemos el proceso de adivinaci贸n, la frustraci贸n inicial, y la concentraci贸n en el siguiente intento. Este ejercicio est谩 dise帽ado para demostrar la conexi贸n ps铆quica entre Jodie y Aiden.
La siguiente prueba es la que a m铆 me parece m谩s divertida y que te deja claro el poder destructivo o por lo menos telequin茅tico de Aiden. Nathan le pregunta 驴Crees que puedes derribarlos? refiri茅ndose a unos bloques que est谩n en la mesa de la sala contigua. Y claro, Jodie lo hace Vemos c贸mo los bloques vuelan, empujados por una fuerza invisible, que es Aiden. Es el primer gameplay puro de sus poderes, la. La peque帽a Jodie, sintiendo el poder de Aiden, se entusiasma y busca m谩s cosas que mover, Intenta mover la puerta de la habitaci贸n, pero est谩 cerrada, un momento que marca la primera barrera o limitaci贸n de su poder, o quiz谩s la primera vez que la vemos frustrada en su intento de escapar. Ella insiste, pero Nathan la detiene con un seco. Este segmento es fundamental porque te muestra el origen de su relaci贸n Jodie es una herramienta que se estudia y se explota, pero tambi茅n es una ni帽a que anhela una vida normal. La frustraci贸n y el aburrimiento se ven en su cara cuando se quita el casco de princesa. Es un ciclo de pruebas que parece nunca terminar谩 para ella.
Otro salto temporal De la ni帽a asustada pasamos a una adolescente en un vestido formal, inc贸moda y fuera de lugar en una recepci贸n de alta alcurnia, llena de diplom谩ticos, pol铆ticos, empresarios, esp铆as Jodie se siente expuesta donde siente que todos la miran, el hombre que la acompa帽a le dice que no es una sensaci贸n, todos est谩n mirando lo m谩s importante y le da instrucciones para disimular, para actuar natural. Cuando un asistente la aborda y la adula, ella apenas puede responder con gracia. . El plan se revela cuando el hombre le dice: "Voy a saludar a algunos... busca un lugar tranquilo. Sabes que tienes que hacer".
Jodie se escabulle, navegando la multitud. La escena es de sigilo puro, de movimiento lento, buscando ese lugar tranquilo en un ambiente de peligro potencial. Finalmente, encuentra un ba帽o. Y aqu铆 es donde la misi贸n se concreta. Hablando por un comunicador con Hayden, recibe las instrucciones cruciales. La voz le dice "Hay un cuadro grande en uno de los cuartos de arriba, atr谩s la caja fuerte. Los documentos que buscamos est谩n dentro, pero hay guardias y c谩maras, as铆 que debes tener cuidado". Es un robo, no un experimento, m谩s bien una operaci贸n de espionaje. Es la confirmaci贸n de que su vida como ni帽a de laboratorio ha escalado a la de una herramienta militar.
| Traducci贸n | Translation |
|---|---|
| Aqu铆 | Here |
