Da parecchi anni, ormai, fioriscono sul web, da parte di singoli utenti o di improvvisati gruppetti, le iniziative, sempre meno originali che, in forma di concorso fotografico, richiedono la partecipazione di coloro che abitano all'interno dei “confini” di un determinato quartiere cittadino, proponendo come tema gli aspetti migliori e le meraviglie estetiche presenti nella medesima località. Capita, dunque, frequentemente di imbattersi in una di quelle pagine sulle quali vengono postati i contributi di centinaia di concorrenti, animati da uno spiccato campanilismo e dal malcelato tentativo di aumentare il numero dei propri contatti.
ph. a.d.n. 1982
ph. a.d.n. 1982
Photos by @adinapoli (s) - 1982
Text by @adinapoli (s) - 2020
For several years now, individual users or improvised groups have flourished on the web, less and less original initiatives which, in the form of a photo contest, require the participation of those who live within the "borders" of a determined city district, proposing as its theme the best aspects and aesthetic wonders present in the same locality. It often happens, therefore, to come across one of those pages on which the contributions of hundreds of competitors are posted, animated by a marked parochialism and by the ill-concealed attempt to increase the number of their contacts.
The great success reported by this kind of events excites the organizers and brings some satisfaction to the relatives and friends of the "neighborhood", but, despite the praise of some complacent reporter, it leaves the professionals and the "advanced" amateurs rather indifferent.
A rapid inflation of the images relating to a pleasant location and the visibility obtained by the works of each camera or smartphone owner, even if without the notions necessary for a correct shot, must be accepted with resignation, after all the reality belongs to no one and there is still some space on the internet and popular social networks. However, the risk that the diffusion of the "photo-contest" will end up causing damage to Photography is real. The territorial limits can easily translate into a form of self-referential expression and sin of excessive "provincialism" by proposing a vision of "neighborhood" and insignificant reality.
I believe that those who find it fun to participate in local photo contests should not be discouraged in any way. At most, to the tireless organizers who, however, manage with these questionable experiences to attract the attention of many people, I would suggest to "raise the bar" slightly and ask for greater quality in the future, both in terms of content of the photographs and commitment of participants. For example, instead of representing the "beauties" for their own sake of a peripheral village, it would be more useful and stimulating for the creativity of photographers to bring out the environmental and social problems through the shots to acquire full awareness and wait for them to be adequately resolved.