Until that is I met Anna-Marie.
Who gave me an actual chance in life, and yet the government took her away from me at the slice of an angled blade. At night I dreamed about the memory of hers eyes continuing to make around. Her eyes would constantly crying do to some pain she only has in her neck but cannot vocalize. When I saw her head in the basket, I was lost and didn't know myself.
It was the first time I ever cried. The girl that died feeling heart broken, because of my sexual interest that she found out about me. I found out for the first time in my, the state did not care about humanity. They only cared about vengeance. Vengeance against who you might ask? I had no clue, I simply wanted to go and off myself somewhere, so I could be with my darling Anna-Marie again.
I remembered the pictures in cyberspace, grabbing pictures of anime girls getting it in the neck. I remembered the women who would be paddled in school, I wanted everything to melt all away. I tried writing about this experience the first time, but it was suggested I get rid of it by my father. He didn't want me to became a famous writer, if I ever could, and didn't want me drawing undo negative attention on our family. It wasn't like we already got great attention, with the news occasionally drawing attention to physical abuses down to my brothers and sisters.
I held it all inside, stayed away from the world.
It was the first time that I felt truly alone. I felt that my life had no purpose to existence besides to rot. I began to neglect my own body, and staying in bed for so long after high school. I began to dream of blond women at night, haunting the nature of my reality. I began to rot and become psychologically prone to suggestion. Among those was coming to terms with the question why I had not yet decided to dig up Anna-Marie's body and fuck her.
Well obviously because that's morally wrong. As I said, there was some conditions society refused to talk about. For long time even homosexuality and gender non-conformity was considered something rather taboo. And at times I would be alone imaginary little fairy girls and elf girls saying pick-a-boo. I would role play in my mind little stories about fairy girls getting it in the neck.
There was something deep inside me, that wanted something different in my life. It was difficult to articulate. I had always wanted to write middle-grade novels, but my parents would always tell me how books for children were not considered art. And they knew that I had briefly dated Anna-Marie before she died. But I knew that for her there were some aspect of her childhood she never told me herself. Over time I gave it up, and learned to restrain my tears.
I just wanted people to be happier.
Even if it meant writing a novella about a parricidal killer. I would change her name slightly, toiling on the project nightly. I would work all the way through my despair. My condition was subtle, and yet apprehensible. Yet over time I found there was something inherently different about me and my relationship with other people that could not simply be described as a mere case of necrophilia. I wanted to be with Anna-Marie in death and the afterlife.
I just didn't want to open her tomb.
Not pry it open with a knife.
It was one of those days I had a hard time finishing lines for one of my beheading reference poems. O the short girl walking up the stairs .. but I had no lyrics for the poem, of the tragic life of a fisherman's wife.
I wanted to write a short tale about a fisherman who comes home to find his wife has been decapitated by the ax. I had this way of taking semi-autobiographical elements and turning it into a science fiction and fantasy story, although I refused to associate with science fiction and fantasy magazines and other aspects of that particular culture. Yet I had no experience being on the sea. I had only sailed briefly with my dad, when he would take a break from his work. After all even if he killed my girlfriend and I hated him for it, he wanted to somehow bring me back to his side.
But then I thought of the poor Anna-Marie, something other than myself. I remembered when she told me about the death of her mother, and how it gradually drove her father insane. He would always comment before she died, about how he was never quite the same after her decapitation by the ax in another country she was visiting, and so he never got to return her to France. I suppose criminal intent was a family lineage, yet I saw something in Anna-Marie that wanted her families side to have its story. And so I tried to think of yet more lyrics:
O the short girl walking up the stairs,
Is turning gray, mixed with dirty blond hair.
In her wooden clogs that abruptly come to a point,
With her arms behind her back,
She dies beyond the scaffold stairs.
It wasn't quite what I wanted it to be, but it was something for now. I wanted to come up with even more lyrics. So I went all out:
With a German dress she leans on the block,
Waiting, waiting for the ax to drop.
When the blade goes a lop,
Tumbling curly dirty blond hair goes down,
Into the basket.
Yuck, far to blatant it was. I wanted something was was more about the husband, so I didn't want to focus on her mother's death for to long:
Here is the broken thief,
Who stole a coral reef / on a fisherman's boat.
She tossed her husband off the boat,
Not intended him to drown,
Before drowning in her own sorrows.
I felt like I was getting into the rhythm of the poem, though I wasn't exactly sure what the concluding lyrics would be. But I decided, I going to finish it:
Here is the thief,
Whose life came to a stop.
Together they join hands in Purgatory,
Beyond the light in a pop.
The tragic life,
Of a fisherman's wife.