Watch Logical Quantum Relativity Interplay.

The short film you will see is completely logical and makes perfect sense if one new hypothetical principle is understood.

How is it that a protagonist can move through a room’s door into the next directly connected (local) room in a causal and continuous manner (relativity), but in other observations enter into a remote (non-local) room in an apparent non-causal and non-continuous manner (quantum mechanically)?

Let me take a few moments to explain.

First, let’s look at the construct of the model that enables us to see the simulated quantum relativity interplay, and ultimately understand it.

“All rooms are square and of the same construct. Consisting of four equilateral walls, each with a set of double swing doors.” Extract from the script of The next Room, A Quantum Experiment in Film. Conceived, written and directed by Das Abra, 2003.

In this model of quantum relativity interplay, the set is a literal representation of the geometry required, whereby the rooms make up a coherent whole with each respective room representing: coordinates, container, cell, information packet, action, event, scene, content, a space…

The doors represent: resistance, entry/exit, choices, probabilities, In/Out procedures, transitions and extensions…

The representation of the protagonists matter as real or virtual particles, depending upon whether they are in a state of relativity or quantum.

These were the elements I required to film the simulated interplay of relativity and quantum mechanics.

They were also used to explore the concept of changing narrative whereby many different versions of the story could automatically be created and their probabilities ultimately influenced, but let’s concentrate on quantum relativity aspects directly.

Both the actors can play quantum and relativity. Now, watch one 3 minute version of the film to explore the quantum relativity interplay further. Then we’ll make sense of it.

In some observations a protagonist’s travel is causal and continuous from one room to the next locally connected room.

In other observations a protagonist’s travel is interrupted by one or more quantum leaps to a non-locally connected door (or instantly re-enters the door of exit) which appears causeless, discontinuous and disconnected.

To logically understand this simulated quantum relativity interplay, let’s introduce a new hypothetical principle.

That Space itself is quantized into individual cells.

And that each of these cells have simultaneous contra-rotational spins, which form a superposition of quantized super-spinning spaces that interchange with one another in a fluxing field of instantaneous movement.

Introducing a quantum protagonist/particle into the field, instantly transposes it into a superposition of quantized super-spinning particle spaces where all directional probabilities simultaneously exist.

At the quantum level, the spinning particle space can instantly move from one location to another remote location without occupying the space in-between.

As we can see, the quantum relativity interplay is logical if we understand that the protagonist/particle space instantly moves and or spins.

To automatically generate and watch unpredictable versions of The Next Room, go to www.thenextroom.org.

This quantum experiment in film directly led to the development of the polymorphic player which enables unpredictable yet logical play permutations that can be influenced in real time and on the fly.

Examples of the polymorphic player can be seen at: www.popmorphic.com (Select ‘Popmorphic Portfolio > Pop Promos > dbsixtyeight > Infinity stage’) to play and influence pop videos.

And to create and influence a fashion show program go to www.19rm.tv.

You'll also see it differently each time you watch, even if you don't move the sliders. There are more play permutations than there are atoms in the known Universe!

Please use internet explorer if you have a problem playing these morphic videos on google chrome.

Thank you for watching

Das

Created, written and directed by Das Abra

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