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Jovellanos painted by Goya Born 5 January 1744 Gijón, Asturias, Spain Died 27 November 1811 (aged 67) Vega de Navia, Spain Occupation Author, philosopher

A writer is a person who uses written words in various styles and techniques to communicate their ideas. Writers produce various forms of literary art and creative writing such as novels, short stories, poetry, plays, screenplays, and essays as well as various reports and news articles that may be of interest to the public. Writers' texts are published across a range of media. Skilled writers who are able to use language to express ideas well often contribute significantly to the cultural content of a society.[1] The word is also used elsewhere in the arts – such as songwriter – but as a standalone term, "writer" normally refers to the creation of written language. Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Other writers use multiple media – for example, graphics or illustration – to enhance the communication of their ideas. Another recent demand has been created by civil and government readers for the work of non-fictional technical writers, whose skills create understandable, interpretive documents of a practical or scientific nature. Some writers may use images (drawing, painting, graphics) or multimedia to augment their writing. In rare instances, creative writers are able to communicate their ideas via music as well as words.[2] As well as producing their own written works, writers often write on how they write (that is, the process they use);[3] why they write (that is, their motivation);[4] and also comment on the work of other writers (criticism).[5] Writers work professionally or non-professionally, that is, for payment or without payment and may be paid either in advance (or on acceptance), or only after their work is published. Payment is only one of the motivations of writers and many are never paid for their work. [check quotation syntax] The term writer is often used as a synonym of author, although the latter term has a somewhat broader meaning and is used to convey legal responsibility for a piece of writing, even if its composition is anonymous, unknown or collaborative. Life and influence of his works[edit] Gaspar Melchor de Jovellanos was born at Gijón in Asturias, Spain. Selecting law as his profession, he studied at Oviedo, Ávila, and the University of Alcalá, before becoming a criminal judge at Seville in 1767. His integrity and ability were rewarded in 1778 by a judgeship in Madrid, and in 1780 by appointment to the council of military orders. In the capital Jovellanos took a good place in the literary and scientific societies; he was commissioned by the Society of Friends of the Country (Madrid's economic society) in 1787 to write his most well-known and influential work, Informe en el expediente de ley agraria ("A report on the dossier of the Agrarian Law"), a project which he completed in 1794, and published in 1795. In his work on agrarian law, he called on the crown to eliminate the concentration of land ownership in the entailment of landed estates, ownership of land by the Catholic Church, and the existence of common lands unavailable to private ownership. In his view, Spain's wealth lay in its agricultural productivity which would allow its population to grow and prosper. In the eighteenth-century regime of land tenure, productivity was stifled by latifundia of the political elites and the Catholic Church as an institution, and common lands where there was no incentive for individuals to invest in its productivity. Jovellanos was influenced by Adam Smith's The Wealth of Nations (1776), which saw self-interest as the motivating force for economic activity.[1] Jovellanos's recommendations were not implemented in Spain, but did influence thinking about agrarian land reform in the viceroyalty of New Spain by Bishop Manuel Abad y Queipo in the early nineteenth century before its independence in 1821, whose writings influenced Alexander von Humboldt's thinking and writing on land issues in Mexico.[2] Jovellanos also influenced thinking about agrarian land reform in Mexico in the late period of President Porfirio Díaz's regime by Andrés Molina Enríquez, who was the intellectual father of the article of the post Mexican Revolution Constitution of 1917 that empowered the State to expropriate land and other resources.[3] Involved in the disgrace of his friend, Francisco de Cabarrús, Jovellanos spent the years 1790 to 1797 in a sort of banishment at Gijón, engaged in literary work and in founding the Asturian institution for agricultural, industrial, social and educational reform throughout his native province. This institution continued his darling project up to the latest hours of his life. He was summoned again to public life in 1797, when Melchor de Jovellanos refused the post of ambassador to Russia, but accepted that of minister of grace and justice, under "the prince of the peace", whose attention had been directed to him by Cabarrus, then a favorite of Godoy. Displeased with Godoy's policy and conduct, Melchor de Jovellanos combined with his colleague Saavedra to procure his dismissal. Godoy returned to power in 1798 and Jovellanos was again sent away to Gijón. Together with his Asturian intellectual colleagues, such as González Posada, Caveda y Solares and his sister Xosefa Xovellanos, Melchor de Jovellanos focused then on the study of Asturias. He intended to start several projects in the study of his native Asturian language, including an Asturian Academy of the Good Letters and an Asturian dictionary, but in 1801 he was thrown into prison in Bellver Castle (Majorca) and was forced to put all his cultural projects on hold. The Peninsular War, and the advance of the French into Spain, set him once more at liberty. Joseph Bonaparte, having gained the Spanish throne, made Jovellanos the most brilliant offers, but the latter sternly refused them all and joined the patriotic party. He became a member of the Supreme Central Junta and contributed to reorganize the Cortes Generales. This accomplished, the Junta at once fell under suspicion, and Jovellanos was involved in its fall. To expose the conduct of the Cortes, and to defend the Junta and himself were the last labors of his pen. In 1811 he was enthusiastically welcomed to Gijon; but the approach of the French drove him forth again. The vessel in which he sailed was compelled by stress of weather to put in at Vega de Navia (now known as Puerto de Vega) in Asturias, and there he died on November 27, 1811.[citation needed] Pedro de Silva, the second President of the Principality of Asturias, is a direct descendent of Gaspar Melchor de Jovellanos through his mother, María Jesús Cienfuegos-Jovellanos Vigil-Escalera.[4] Works Jovellanos's prose works, especially those on political and legislative economy, constitute his real claim to literary fame. In them, depth of thought and clear-sighted sagacity are couched in a certain Ciceronian elegance and classical purity of style. Besides the Ley agraria, he wrote Elogios, and a most interesting set of diaries or travel journals (1790–1801, first published in 1915) reflecting his trips across Northern Spain. He also published several other political and social essays. His poetical works comprises a tragedy, Pelayo, the comedy El delincuente honrado, satires, and miscellaneous pieces, including a translation of the first book of Paradise Lost.

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