Lovable canines change their owners' lives in unexpected ways when both humans and dogs cross paths in Los Angeles.
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Initial release: August 10, 2018 (USA)
Director: Ken Marino
Distributed by: LD Entertainment
Music composed by: Craig Wedren
Language: English Language
Screenplay: Erica Oyama, Elissa Matsueda
Carefully composed and directed with an assured hand, Dog Days is allegedly based on true events. That’s not hard to believe with the trafficking stories so widely circulated in the media. Given the subject matter and the relentless focus on China’s underclasses, release on the mainland may be unlikely aside from its screenings at the Beijing International Film Festival. Following its bow at Berlin’s Panorama earlier this year, other festivals should continue to follow suit, however, and an art-house release in Asia-Pacific and key urban markets overseas is entirely within reason.
Schiele has hung a social drama on the framework of what is essentially a crime thriller, albeit a low-key one. The story opens on a hot, oppressive night in a poor corner of Changsa, in southern Hunan Province, with second-rate nightclub dancer Lulu (Huang Lu) finishing her shift and heading home to her son. A single mother, she leaves the infant with the child’s father, Bai Long (Chen Tian Mu), while she’s at work, and on this night he and the baby are gone when she returns. Ignoring the casual sexism and judgment of her parenting skills she encounters during her search through the city’s backstreets, Lulu winds up confronting Bai’s gay drag queen lover, Sunny (Luo Lanshan), who agrees to help her track Bai down. In return, he asks Lulu to leave the couple in peace. Off the unlikely partners head to Shanghai, where Lulu is horrified — and later conflicted — to find out Bai has sold the baby to a wealthy, childless older couple, the Zhous (Xing Dan Wen and Lu Ze Xian), claiming his mother was dead.