Today I decided to gather all the knowledge gained in one image. There is a tree against the background of the sun, fog, and rays. And even the grass in the foreground. How the scene turned harmonious - judge the audience! So:
: cerulium, lapis lazuli, indigo, pink quinacridone. Green, medium yellow cadmium, dark brown, purple, burned Siena. Palazo paper 280g / m2, 70% cotton.
I started with the scheme. About one third of the paper will be on the field, the rest on the trees and the sky. The logs (and the sun) will also represent one-third of the paper.
I wet the entire sheet with water. Start with drawing from the sun: from yellow to purple. On the left sky added a seriolum. While the sky is wet - added wood in the background. I did not think with the color (it turned out very pale), so in one of the following classes I had to get darker. Do not be afraid to add color, pale water colors when dry! I always repeat this to myself, but it is not always possible to follow this advice. On wet paper I wipe the sun with a semi-dry synthetic brush.
Turn to the foreground. Yellow places are added in the grass, sometimes creating shade with the help of indigo. On the road was added dark brown and burned Siena. Now you can go to the trees. I begin to pour paper stains, add trunks and branches. The shade of the paint barely changes from the purple in the sun to the dark brown in the shade of the trees.
Turn to the foreground. Yellow places are added in the grass, sometimes creating shade with the help of indigo. On the road was added dark brown and burned Siena. Now you can go to the trees. I begin to pour paper stains, add trunks and branches. The shade of the paint barely changes from the purple in the sun to the dark brown in the shade of the trees.
In the foreground, grass and shrubs were added. Part of the road in the light, so I leave a little yellow. In the background lacks trunks in the fog and field boundaries, which barely noticeable. After that, I go back to the road and make it darker, more excited and some greens on the sidelines. The grass itself must be darker in the root and brighter in light.
After drying, the image turned out to be very pale. But I like it, because the fog effect can be photographed, the landscape is not trivial. I always tell myself that you do not need to be afraid of watercolors ... maybe in time you will get used to it =)
Do you want me to draw for you? Writing in a telegram.