The Pettit Trianon and its surroundings at Versialles

A game will happen in the future. The scene awaits activity . . .

An allegory of temptation carved in stone on the cathedral façade.

A fine example of a concise sinfonia opening movement in a Bach cantata

I am performing Fauré's expressive and tuneful piece on the 1980 Puget organ in the chapel of Kincoppal-Rose Bay, Sydney. The arrangement is by Martin Setchell which I transposed back to the original key

Earlier this year, I was approached by Titus Grenyer, a Sydney organist and composer, and assistant organist at St Mary's Cathedral, to facilitate access to the 1890 Puget organ in the chapel of Kincoppal-Rose

Organ Voluntary

Triple fretted clavichord

secvretsoforganplaying

The theme for the HIVE Open Mic Week 15 is "The key of C". And that's the perfect excuse for me to practise and perform this little gem of Johann Sebastian Bach. Although, most scholars believe

This is my entry for the Secrets of Organ Playing Contest, week 81. I play the fugue from Bach's Prelude and Fugue in a minor, BWV 543. Playing Preludes and Fugues is perhaps at the core of playing the

Create an account and "Recommend" my piece here: Inspired Acoustics is a sample set maker for the Hauptwerk virtual organ software. They are currently running a competition where we submit a

This movement comes from the last organ book of Michel Corrette who lived through three French monarchs: Louis, XIV, Louis XV and Louis XVI. This book which was published in 1787 is the last book of organ

From the archives. This is a fun work which I had recorded last year and which I had forgotten about. I just heard #contrabourdon playing it and was reminded. I need to revise it.

I'm back! This work comes from collection known as the Neumeister Chorales which is an anthology of 82 chorale preludes of which 31 have been attributed to.JS Bach and which had been unpublished before

Zipoli - four versets and canzona in F

This work survives in a copy by Walther and has been attributed to Bach as a youthful work. What is unusual is that the choral is very simply state in minims ie in a very bare form. There is a throbbing

This work comes from collection known as the Neumeister Chorales which is an anthology of 82 chorale preludes of which 31 have been attributed to JS Bach and which had been unpublished before 1980. It

I am being brave by attempting an improvisation. The tune Picardy, of 17th century French origin, is often encountered in the hymn Let All Mortal Flesh. I am playing this well-loved and often treated tune

I acknowledge @Partitura as editor of the score and for these notes: Karges was familiar with the compositions of Sweelinck through Andreas Düben (1597 – 1662). Düben was a pupil of Sweelinck in Amsterdam