In my last instalment of this series, I mentioned about a memorable quote by the Urdu poet Shamsur Rahman Faruqi where he described the Rumi Darwaja as the Diadem of a Queen. Truly - The Rumi Darwaza of Lucknow is the most beautiful gate in the country.
Located at: Lucknow, Uttar Pradesh
Built Between: 1784
Height: 20 Mtrs
Architectural Style: Turkish mix of Indian Architecture
Architect: Unknown (Built under supervision of Nawab Asaf-ud-Daula)
'Rumi' was colloquially used to mention something that has a Roman connection. The Nawabs of Awadh were Turkish Shia Muslims who came to India in the 16th Century. Their connection with Istanbul, which was the capital of Eastern Roman Empire, has reflected in their art & architecture. Rumi Darwaza is one such magnificent piece of architecture which is a perfect blend of Indian and Turkish Architecture.
After Nawab Asaf-ud-Daula shifted his capital from Faizabad to Lucknow (Lucknow: The City of Heritage & Culture - A Walk Through History), his state faced a severe famine. Awadh, which was the biggest producer of grains in the entire Mughal empire faced such a natural disaster that the population went to starvation. The Nawab, from his royal treasury, offered relief to the people but the dignified population denied that. The Nawab, with his prime minister Hasan Raza & Diwan Raja Tikait Rai, formed Rifah-e-aam, a charitable institution which would construct buildings, bridges, lakes, dams, wells and engage the citizen as workers. That was the period when most of Lucknow's architectural gems including the entire Bara Imambara Complex (Asafi Imambara, Asafi Masjid & the Shahi Bawli) and their main entrance Rumi Darwaza were constructed. (Shaam-e-Awadh: A Visual Journey of Lucknow)
The gate is unique because of its architectural distinction from all other in the country. In the plan, the gateway is a semi-octagonal structure with a dome roof. The gateway is located in the centre of a 2-storied U-shaped building with several rooms inside. This was meant for the security personnel guarding the Imambara complex.
From the front, the gateway is a giant cusped archway with two level of arches inside. The lower tier has the bigger ones - again cusped arched and are the actual gateway. The smaller ones in the upper tier are actually windows used for security reason. The building on both sides of the main gateway is pierced by series of cusped arches. On the outermost surface a very interesting pattern created by using three recessing arches and extensive floral pattern on those. The outermost of these arches is clad with lotus petal design which protrudes out of the masonry to create an amazing skyline. This level is also decorated with floral turrets and that surely makes it look like the crown of the queen.
The next two series of arches are clad with rounded beads and floral pattern. On two sides of the main gateway, two octagonal minarets with chhatris as high as the gateway are created. The chhatris have a connection with the Mughal & Indian architecture. The most fascinating element of this gate is its octagonal arched cupola with a traditional chhatri on top. This was used a lantern during the night and once lit, it illuminated the entire gate making it appear as the gateway to heaven.
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Contrary to its front, the back of the gate is very simple - may be reflecting how art has to be created in the time of crisis. The back of the gate is rectangular with the three main arched gates and smaller cusped arched windows in the top. The roof of the gate is decorated with low curtain wall parapet with a row of small chhatris.
The gate along with the other buildings built in the same period have a very interesting architectural feature and that is its material. while the Mughals were extensively using expensive stones at that time, the state of Awadh did not have money for that. Moreover, they had to find a method of construction that their farmer citizen can learn quickly. So they started these buildings with burnt brick & mortar. The red low bricks called Lakhauri were made locally with clay. The entire Rumi Darwaza is constructed with mainly two sizes of bricks - 100mmX150mmX20mm & 100mmX150mmX50mm. The low height of 20mm & 50mm allowed the masons give excellent shape to the buildings and curves. Lime crushed with brick was used as mortar - generally of 20mm thickness horizontally & 10mm thickness vertically. The mortar called Surkhi was prepared by mixing locally available crushed lime with crushed Lakhauri and water. It had extremely high bonding quality.
Rumi Darwaza, one of the marvels in Architecture in India, stands high for more than two centuries witnessing the War of Independence, the fall of the Nawabs and the rule of the British. The excellent piece of art is truly a unique identity of the city of Lucknow.
Best time to Visit: The gate is always open and used.
How to reach: Auto is the best medium to reach and is always available from all parts of the city.
