280 studio-quality wave samples of the E-mu Orbit 9090 (V2 "The Rave Planet") synthesizer — rave, techno, industrial, and electronic drum sounds. 28.7 MB. Price: $2.12 Get it here: #horrorweapon

Generations is about the hand-me-down weight of it all. Every scar your father carried, you get to carry louder. Industrial grind, cold machinery underneath, and a vocal that reads like a family tree at

TinyVU is one of those plugins that solves a problem you didn't know had a name. It's Jun Murakami's VU meter that you can shrink down to almost nothing, so it just sits in a corner of the screen while

Over 200 studio-quality drum samples of the legendary Roland R-8 MKII — the sequel to the original R-8 with all-new sounds, expanded memory, and enhanced sound quality. 34.5 MB. Price: $3.54 Get it here:

Everything up here is noise. The Surface is about what's underneath it all, the cold machinery holding the whole mess together while the rest of it slides off. Keep the volume high and let the low end

Idle Foundry just dropped CA-72, a free synth modeled on the early-70s Minimoog Model D — right down to the CA3046 oscillator board, transcribed from the original service docs and simulated in ngspice.

Been messing with ZeroEQ this week, Jun Murakami's 11-band equalizer. It follows the same idea as his other plugins: do one job, do it with zero latency, and stay out of your way. I kept it on several

Over 20 studio-quality wave samples of the 1986 Korg DDD-1 Dynamic Digital Drums — 12-bit sampled drums with analog color. 545 KB. Price: Free Get it here: #horrorweapon #industrial #music

Eternity is a strange thing to chase. Everything this is built from keeps grinding forward whether you're paying attention or not. I wanted the track to feel like standing at the edge of that and just

I've been trying Jun Murakami's ZeroComp for a few days. It's a compressor that lives up to its name by adding zero latency. That's the thing I keep coming back to with this whole line of his plugins.

Samples of the late-'80s Kawai R-100 cult drum machine — crunchy 12-bit sounds with a stiff, unmistakable timing feel, from techno to industrial. 1.19 MB. Price: Free Get it here: #horrorweapon #industrial

There's a stretch of static out there nobody maps. I wrote this for whatever lives past the last power line. If you know that place, you'll hear it.

Spent some time with ZeroLimit this week, Jun Murakami's limiter plugin. The whole point is right there in the name: zero latency. That matters a lot for streaming and broadcast, and honestly it is also

Over 250 studio-quality wave samples of the 1999 Boss DR-770 Dr. Rhythm flagship, with COSM instrument modeling covering drums, bass, guitar, keyboards, and ethnic instruments. 27.9 MB. Price: $2.12 Get

Somebody walked this path before me and I honestly can't tell if it was me or someone else. The steps look familiar but the ground feels different now. Turn it up and walk it with me.

Polarity just dropped MEQ, a free spectral matching EQ for Windows, macOS, and Linux. It learns the spectrum of a reference track and nudges your mix toward it, with mid/side handled separately and an

I've been doing the thing where you bounce a mix, drag it into a separate player, and try to level-match by ear, and it's honestly a mess. MixCompare from Jun Murakami fixes that by sitting right in your

Over 80 studio-quality 16-bit/48kHz samples of the Yamaha RY30 — punchy drums with digital resonant filters and a character suited to industrial and electronic music. 4.19 MB. Price: Free Get it here:

Planet Collapse. This one came out of thinking about the whole thing coming down at once, not with a bang but like a slow structural failure. Big drums, grinding low end, the works. Turn it up.

Sidechain ducking usually means routing buses and fiddling with compressor sidechain inputs. Pulse Ducker from j.mp3 labs skips all of that: it's a free volume-shaping plugin where you pick one of 16 ducking