Well, yes, Morricone was already a size after Leone's films (by the way, it is not clear why the best film composer of the 20th century was ignored by the American Film Academy, we will only award him an honorary Oscar already in the 21st century ... This is nonsense ... Well, or is there some kind of conflict, which is unknown to us yet It’s more strange to me that why did they invite Zatsepin to the film at all, they could perfectly use Morricone’s music in the Soviet box office, especially since this is quite logical, since the main lyrical musical theme is the love of a Swede and an Italian ... "Thank God" that the film did not take the "Oscar", then it would definitely be a shame to the composer "second")) As for the "waltz", .. I really love Morricone, I was at the concert of his orchestra in 2007 - this is a delight ... But I do not like all of his works, due to my musical preferences ... As the size of the waltz suits me , lyrical music, not symphonic ... Well, if a bel canto is added there, like in "For a Fistful of Dynamite" or "Once in the Wild West" ... I can listen and watch endlessly ... Separately there is the theme of "Harmonics" from "Once Upon a Time in the Wild West", a scene of Bronson's duel with the Fund - it's brilliant But the favorite melody forever is the theme from Death Among Icebergs. I watched the film dozens of times ... And the music from it always makes me cry ... Well, in the fatal processing, it's generally magic (for me personally) Here's the guitar version