fourth time, organized the national sculpture show 117. It is said to be quite rosy in the construction of 98 artists. Apart from the 11 artists invited, sculptures of the last 4 artists give us guidance.
The sculpture was open in the exhibition. As a result, the artists did the job by choosing the medium of their choice. Apart from institutional sculpture, some artists continue their regular work while continuing their work. He has been shown some of the exhibitions in the exhibition. Let's start the prize tasks.
National Sculpture Awarded Artist Khokan Chandra Sarkar has been seen working on the land of the cut cow, the fighter, flower kali and gun were painted. Along with this, the same form repeatedly used on idols used in worship. He wants to identify the causes of hostility and hostility in the world. Khokan gave the title of his work 'behind my belief'.
Palash Saha heads the crisis of water through tapes and pipes. His work title 'crisis'.
Kazi Salahuddin Ahmed has created 'Fragment Unity' which means broken unity. Salahuddin Ahmed has highlighted the psychological appearance of human life and contemporary aspects of the whole world. He composed many katas in pairs together with wood solidarity. He has created illusions in the eyes by stopping the image of every wooden stick. And in the 'relationship' of Alkal Kumar government, it is seen that simplification of the form It may be that the relationship between material or material in human beings in humans is such that
Shimul Dutta's 'pressure hand' sculpture both have been plastered in the face of human body in the plaster. A kind of rebellion is displayed in the works.
In the exhibition, there are fewer than the number of realistic sculptures in the sculptures of wood, plaster, iron, copper, zinc, lead, cement, soil, fiberglass, paper mold. There is a clear expression of human emotions in some work. Apart from this, the notable contribution of Asif-uz-Zaman, the transformation of Asif-Uz-Zaman, Anisuzzaman Sohel's 'Incognito', 'Execution in the Nature-3' of the Asim Haldar Sea, 'Swapnabhanga-3' of Jayshish Acharya, 'Run' of Tejas Haldar jose.
In the work of 117 art works, there are several traditional features. It may be possible to find past sculptures. This makes it easier to identify the continuous past of the industry. Needless to say, there is some work here, which would have seemed to enrich the exhibition.
It will end on June 7 in the National Art Gallery of Bangladesh Shilpakala Academy starting on 9th May.
