RRR is probably the longest Epic movie I鈥檝e watched in recent years. Running for 3 hours recounting the tale of Komaram Bheem and A. Rama Raju, two revolutionary leaders from India during the British Raj/British occupation. Though the story is fiction, since it鈥檚 based on two famous leaders in the country, this movie is quite intriguing to watch. Tollywood or Telugu based film is known for its exaggeration and special effects on its movie that sometimes just lack coherence and are hard to grasp. Its effect is often a subject of memes as well. I certainly was expecting from RRR and I was right. Throughout the movie,the effect is quite exaggerated but the story and how the narration evolved was quite captivating. Unrelated to the movie, I was also watching it just a day after India鈥檚 independence. So, watching RRR was quite a refresh of knowledge about the British colonization. This film also receives numerous awards and is fairly well accepted worldwide. One that I found intriguing was the song Naatu Naatu because when I was traveling, people were talking about that and I was the only one who was unaware of it. Apparently, that song is the first Indian song to win an Oscar. If you have not watched it, without further adieu, let me show you what the movie is all about!
Governor Scott Buxton and his wife Catherine visited the forest where Gonds tribe resides. Buxton was a governor during the British raj and while he was out hunting, Catherine鈥檚 was receiving a henna hand painting by Malli, a young girl from Gond tribe. Pleased with the result of the hand painting, Catherine wanted to bring Malli to the city and leave the tribe. Their aide, Edward, throws a few coins on the ground while the rest of the tribe thinking that it was a gift for them apparently, later they realized it was the payment for Malli to be brought to the governor鈥檚 house. Running to chase Malli, her mother was later injured by one of Scott鈥檚 soldiers and Scott expressed a view that the tribe was equal to an animal and not a human. Enraged with the situation that occurred in his tribe, the guardian of Gond,Komaram Bheem(N. T. Rama Rao Jr. ) decided to go to the city and disguise himself as a muslim man.
In the city, an ambitious police man, A. Rama Raju (Ram Charan ) was trying to climb his way up but was constantly failing just because he was not a british. At the same time while Komaran Bheem was becoming a potential threat to the governor, a bounty was made to discover Bheem. Nobody was willing to chase him until Raju stepped up. However, while searching for Bheem, Raju befriended Akhtar, who is actually Bheem in disguise. As they bonded over friendship, it was inevitable that they were from two opposing sides. Later on, Raju realized the true identity of Akhtar. One night while there was a reception at Governor鈥檚 Scott鈥檚 place, Bheem and the other members of the tribe ambushed the place with wild animals injuring a lot of soldiers. At this point, Bheem and Raju got into a one-on-one fight. Eventually Bheem was captured and Raju got a promotion. Inside the weaponry that belongs to the British, Raju recalled the promise that he held to his father. He wanted to give his tribe weapons to fight the British and while getting closer to his goal,he was required to choose his friendship or his promise that he made to his father and his tribe.
In my opinion, this film has a solid story with quite intriguing visual effects. The scene of the fights and even the angle were quite good. No wonder that this film received quite a few awards. The story hooks you for 3 hours and though the pacing is a lot slower, it鈥檚 something expected from Tollywood where there鈥檒l be a dance and musical throughout it. I took a 5 minute break after 2 hours to stretch and continued watching it. The fight scenes were the ones I enjoyed from this film and also the part where the animals were unleashed to fight off the British soldiers. I would definitely recommend this movie to watch at least once in a lifetime. Compared to all Tollywood, this is definitely on top of the list other than bahubali. I would also rate it 6.5 out of 10.
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饾様饾槩饾槫 饾槳饾槾 饾槩 饾槾饾槮饾槶饾槯-饾槮饾槷饾槺饾槶饾槹饾樅饾槮饾槬 饾槸饾槳饾槸饾槴饾槩 & 饾槫饾槹饾槯饾槯饾槮饾槮 饾槫饾槹饾槸饾槸饾槹饾槳饾槾饾槾饾槮饾樁饾槼 . 饾槇 饾樀饾樅饾槺饾槳饾槫饾槩饾槶 饾槳饾槸饾樀饾槼饾槹饾樂饾槮饾槼饾樀 饾槳饾槸 饾槶饾槹饾樂饾槮 饾樃饾槳饾樀饾槱 饾槶饾槳饾樀饾槮饾槼饾槩饾樀饾樁饾槼饾槮, 饾槪饾槹饾槹饾槵饾槾, 饾樀饾槮饾槫饾槱饾槸饾槹饾槶饾槹饾槰饾樅 饾槩饾槸饾槬 饾槺饾槱饾槳饾槶饾槹饾槾饾槹饾槺饾槱饾樅. 饾槢饾槱饾槳饾槾 饾槳饾槾 饾槱饾槮饾槼 饾槺饾槮饾槼饾槾饾槹饾槸饾槩饾槶 饾槪饾槶饾槹饾槰, 饾槩 饾槼饾槮饾槯饾槶饾槮饾槫饾樀饾槳饾槹饾槸 饾槹饾槯 饾槱饾槮饾槼 饾樃饾槩饾槸饾槬饾槮饾槼饾槶饾樁饾槾饾樀 饾槩饾槸饾槬 饾樀饾槱饾槳饾槼饾槾饾樀 饾槯饾槹饾槼 饾槵饾槸饾槹饾樃饾槶饾槮饾槬饾槰饾槮. 饾槡饾槱饾槮 饾槹饾槯饾樀饾槮饾槸 饾槫饾槹饾樂饾槮饾槼饾槾 饾槪饾槹饾槹饾槵饾槾, 饾槷饾槹饾樂饾槳饾槮 饾槩饾槸饾槬 饾槾饾槮饾槼饾槳饾槮饾槾 饾槼饾槮饾樂饾槳饾槮饾樃饾槾, 饾樀饾槮饾槫饾槱 饾槼饾槮饾樂饾槳饾槮饾樃饾槾 饾槩饾槸饾槬 饾樀饾槼饾槮饾槸饾槬饾槾, 饾槺饾槱饾槹饾樀饾槹饾槰饾槼饾槩饾槺饾槱饾樅, 饾槩饾槸饾槬 饾槺饾槮饾槼饾槾饾槹饾槸饾槩饾槶 饾槬饾槮饾樂饾槮饾槶饾槹饾槺饾槷饾槮饾槸饾樀. 饾槚饾槸饾槫饾槮 饾槳饾槸 饾槩 饾槪饾槶饾樁饾槮 饾槷饾槹饾槹饾槸, 饾樅饾槹饾樁 饾槫饾槩饾槸 饾槯饾槳饾槸饾槬 饾槱饾槮饾槼 饾樀饾槼饾槩饾樂饾槮饾槶饾槳饾槸饾槰, 饾槳饾槷饾槷饾槮饾槼饾槾饾槳饾槸饾槰 饾槱饾槮饾槼饾槾饾槮饾槶饾槯 饾槳饾槸 饾槶饾槹饾槫饾槩饾槶 饾槫饾樁饾槶饾樀饾樁饾槼饾槮饾槾 饾槩饾槸饾槬 饾樀饾槼饾槩饾槬饾槳饾樀饾槳饾槹饾槸饾槾, 饾槩饾槸饾槬 饾樀饾槩饾槵饾槳饾槸饾槰 饾槺饾槳饾槫饾樀饾樁饾槼饾槮饾槾 饾槹饾槯 饾樀饾槱饾槮 饾槪饾槮饾槩饾樁饾樀饾槳饾槯饾樁饾槶 饾槾饾槳饾槰饾槱饾樀饾槾 饾槾饾槱饾槮 饾槮饾槸饾槫饾槹饾樁饾槸饾樀饾槮饾槼饾槾 饾槩饾槶饾槹饾槸饾槰 饾樀饾槱饾槮 饾樃饾槩饾樅. 饾槡饾槱饾槮'饾槾 饾槩饾槸 饾槹饾槫饾槫饾槩饾槾饾槳饾槹饾槸饾槩饾槶 饾槯饾槹饾槹饾槬饾槳饾槮 饾槩饾槸饾槬 饾槶饾槹饾樂饾槮饾槾 饾樀饾槹 饾槮饾樄饾槺饾槶饾槹饾槼饾槮 饾槸饾槮饾樃 饾槩饾槸饾槬 饾槬饾槮饾槶饾槳饾槫饾槳饾槹饾樁饾槾 饾槫饾樁饾槶饾槳饾槸饾槩饾槼饾樅 饾槮饾樄饾槺饾槮饾槼饾槳饾槮饾槸饾槫饾槮饾槾. 饾槏饾槹饾槶饾槶饾槹饾樃 饾槩饾槶饾槹饾槸饾槰 饾槹饾槸 饾槱饾槮饾槼 饾槩饾槬饾樂饾槮饾槸饾樀饾樁饾槼饾槮饾槾 饾槩饾槸饾槬 饾槴饾槹饾槳饾槸 饾樀饾槱饾槮 饾槫饾槹饾槸饾樂饾槮饾槼饾槾饾槩饾樀饾槳饾槹饾槸! 饾構饾槹饾槸'饾樀 饾槱饾槮饾槾饾槳饾樀饾槩饾樀饾槮 饾樀饾槹 饾樁饾槺饾樂饾槹饾樀饾槮, 饾槶饾槮饾槩饾樂饾槮 饾槩 饾槫饾槹饾槷饾槷饾槮饾槸饾樀 饾槹饾槼 饾槩 饾槯饾槮饾槮饾槬饾槪饾槩饾槫饾槵. 饾槇 饾槼饾槮-饾槪饾槶饾槹饾槰 饾槳饾槾 饾槩饾槶饾槾饾槹 饾槩饾槺饾槺饾槼饾槮饾槫饾槳饾槩饾樀饾槮饾槬 饾樀饾槹饾槹. |